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1
Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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2
Mosquito sound communication: are male swarms loud enough to attract females?
Feugère, Lionel; Gibson, Gabriella; Manoukis, Nicholas. - : The Royal Society, 2021
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3
Les instruments chanteurs
In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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Les instruments chanteurs
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Le contrôle des instruments chanteurs
In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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6
Le contrôle des instruments chanteurs
D'Alessandro, Christophe; Feugère, Lionel; Perrotin, Olivier. - : Société Française d'Acoustique, 2018
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7
Liminal utterances and shapes of sadness: Local and acoustic perspectives on vocal production among the Yezidis of Armenia
Amy de la Bretèque, Estelle; Doval, Boris; Feugère, Lionel; Moreau-Gaudry, Louis. - : International Council for Traditional Music, 2017
Abstract: The Yezidis are a Kurmanji-speaking (northern Kurdish) religious minority living scattered across northern Iraq, Syria, the Caucasus (Armenia and Georgia), and western Europe. Among the Yezidis of Armenia, “speech” (axavtin), “song” (stran; pl. stranen), and “words about” (kilamê ser; pl. kilamen ser) constitute the three main categories of vocal production. This article is a detailed exploration of the acoustic characteristics of these categories of vocal production with a special focus on “words about.” At first sight, one may question whether “words about” (kilamê ser) actually amounts to a separate vocal category. These words lack any name that would set them clearly apart from axavtin (speech), which is clearly also made up of “words” (kilamen). Furthermore, the Yezidis never refer to an abstract category of “words about” but only to “words about” something: “words about the dead” (kilamen ser mirya), “words about exile” (kilamen ser xerîbîê), “words about the hero” (kilamen ser mêranîê), and so forth. What these topics share in common is their association with tragic events and/or feelings of sadness and nostalgia; “words about” are thus lamenting utterances. When Yezidi people (especially women) say “words about” such things, they often resort to a special tone of voice. This tone may be described as a kind of chanting that combines characteristics of axavtin and stran. As with axavtin, there is neither metre, rhyme, nor steady beat. And as with stran, there are sustained pitches and an interactional salience. These differences are all addressed in more detail below.
Keyword: MT Musical instruction and study
URL: http://gala.gre.ac.uk/id/eprint/23554/
http://gala.gre.ac.uk/id/eprint/23554/7/23554%20FEUGERE_Liminal_Utterances_and_Shapes_of_Sadness_2017.pdf
https://doi.org/10.5921/yeartradmusi.49.2017.0129
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8
Gestural control of voice synthesis. The Cantor Digitalis and Digitartic instruments ; Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic
In: ISSN: 0765-0019 ; EISSN: 1958-5608 ; Traitement du Signal ; https://hal.archives-ouvertes.fr/hal-01679397 ; Traitement du Signal, Lavoisier, 2015, 32 (4), pp.417-442. ⟨10.3166/ts.32.417-442⟩ ; http://ts.revuesonline.com/ (2015)
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9
Contrôle gestuel de la synthèse vocale - Les instruments Cantor Digitalis et Digitartic ; Gestural control of voice synthesis. The cantor digitartic instruments
In: Traitement du signal [Trait. Signal], ISSN 0765-0019, 2015, 32, 4, p. 417-442 (2015)
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Contrôle gestuel de la synthèse vocale: instruments Cantor Digitalis et Digitartic
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11
Rule-Based performative synthesis of sung syllables
In: International Conference on New Interfaces for Musical Expression (NIME 2014) ; https://hal.archives-ouvertes.fr/hal-01712566 ; International Conference on New Interfaces for Musical Expression (NIME 2014), 2014, London, Unknown Region. pp.86-87 (2014)
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12
Drawing melodies: Evaluation of chironomic singing synthesis
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01621771 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2014, 135 (6), pp.3601-3612 (2014)
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Rule-Based Performative Synthesis Of Sung Syllables ...
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Rule-Based Performative Synthesis Of Sung Syllables ...
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15
Rule-based performative synthesis of sung syllables
Feugère, Lionel; d'Alessandro, Christophe. - : Goldsmiths, University of London, 2014
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Digitartic: bi-manual gestural control of articulation in performative singing synthesis
In: Proceeding of the 13th International Conference on New Interfaces for Musical Expression ; 13th International Conference on New Interfaces for Musical Expression (NIME) ; https://hal.archives-ouvertes.fr/hal-01000268 ; 13th International Conference on New Interfaces for Musical Expression (NIME), May 2013, Daejeon, South Korea. pp.331-336 (2013)
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17
Gestural control of singing voice synthesis by rules and musical applications ; Synthèse par règles de la voix chantée contrôlée par le geste et applications musicales
Feugère, Lionel. - : HAL CCSD, 2013
In: https://tel.archives-ouvertes.fr/tel-00926980 ; Son [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. Français (2013)
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Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis"
In: Intelligent Technologies for Interactive Entertainment ; 5th International ICST Conference, INTETAIN 2013 ; https://hal.archives-ouvertes.fr/hal-00932116 ; 5th International ICST Conference, INTETAIN 2013, Jul 2013, Mons, Belgium. pp 169-178, ⟨10.1007/978-3-319-03892-6_20⟩ (2013)
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Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis"
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20
DIGITARTIC : Synthèse gestuelle de syllabes chantées
In: Journées d'Informatique Musicale ; https://hal.archives-ouvertes.fr/hal-03041811 ; Journées d'Informatique Musicale, 2012, Mons, France (2012)
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