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Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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Mosquito sound communication: are male swarms loud enough to attract females?
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Les instruments chanteurs
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In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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Le contrôle des instruments chanteurs
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In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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Liminal utterances and shapes of sadness: Local and acoustic perspectives on vocal production among the Yezidis of Armenia
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Gestural control of voice synthesis. The Cantor Digitalis and Digitartic instruments ; Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic
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In: ISSN: 0765-0019 ; EISSN: 1958-5608 ; Traitement du Signal ; https://hal.archives-ouvertes.fr/hal-01679397 ; Traitement du Signal, Lavoisier, 2015, 32 (4), pp.417-442. ⟨10.3166/ts.32.417-442⟩ ; http://ts.revuesonline.com/ (2015)
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Contrôle gestuel de la synthèse vocale - Les instruments Cantor Digitalis et Digitartic ; Gestural control of voice synthesis. The cantor digitartic instruments
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In: Traitement du signal [Trait. Signal], ISSN 0765-0019, 2015, 32, 4, p. 417-442 (2015)
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Contrôle gestuel de la synthèse vocale: instruments Cantor Digitalis et Digitartic
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Rule-Based performative synthesis of sung syllables
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In: International Conference on New Interfaces for Musical Expression (NIME 2014) ; https://hal.archives-ouvertes.fr/hal-01712566 ; International Conference on New Interfaces for Musical Expression (NIME 2014), 2014, London, Unknown Region. pp.86-87 (2014)
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Drawing melodies: Evaluation of chironomic singing synthesis
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01621771 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2014, 135 (6), pp.3601-3612 (2014)
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Digitartic: bi-manual gestural control of articulation in performative singing synthesis
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In: Proceeding of the 13th International Conference on New Interfaces for Musical Expression ; 13th International Conference on New Interfaces for Musical Expression (NIME) ; https://hal.archives-ouvertes.fr/hal-01000268 ; 13th International Conference on New Interfaces for Musical Expression (NIME), May 2013, Daejeon, South Korea. pp.331-336 (2013)
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Gestural control of singing voice synthesis by rules and musical applications ; Synthèse par règles de la voix chantée contrôlée par le geste et applications musicales
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In: https://tel.archives-ouvertes.fr/tel-00926980 ; Son [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. Français (2013)
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Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis"
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In: Intelligent Technologies for Interactive Entertainment ; 5th International ICST Conference, INTETAIN 2013 ; https://hal.archives-ouvertes.fr/hal-00932116 ; 5th International ICST Conference, INTETAIN 2013, Jul 2013, Mons, Belgium. pp 169-178, ⟨10.1007/978-3-319-03892-6_20⟩ (2013)
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Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis"
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Abstract:
A real-time and gesture controlled voice synthesis software is applied to edutainment in the field of voice pedagogy. The main goals are teaching how voice works and what makes the differences between voices in an interactive, real-time and audio-visual perspective. The project is based on ''Cantor Digitalis'', a singing vowel digital instrument, featuring an improved formant synthesizer controlled by a stylus and touch graphic tablet. Demonstrated in various pedagogical situations, this application allows for simple and interactive explanation of difficult and/or abstract voice related phenomena, such as source-filter theory, vocal formants, effect of the vocal tract size, voice categories, voice source parameters, intonation and articulation, etc. This is achieved by systematic and interactive listening and playing with the sound of a virtual voice, related to the hand motions and dynamics on the tablet.
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Keyword:
S Agriculture (General)
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URL: http://gala.gre.ac.uk/id/eprint/24577/7/24577%20FEUGERE_Performative_Voice_Sybthesis_Cantor_Digitalis_%28AAM%29_2019.pdf https://doi.org/10.1007/978-3-319-03892-6_20 http://gala.gre.ac.uk/id/eprint/24577/
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DIGITARTIC : Synthèse gestuelle de syllabes chantées
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In: Journées d'Informatique Musicale ; https://hal.archives-ouvertes.fr/hal-03041811 ; Journées d'Informatique Musicale, 2012, Mons, France (2012)
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