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Evolution of prosodic ideas and the notion of movement (France, 1600-1740) ; Evolution de la pensée prosodique à travers la notion de mouvement (France, 1600-1740)
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In: ISSN: 1010-1705 ; TRANEL. Travaux Neuchâtelois de Linguistique ; https://hal.archives-ouvertes.fr/hal-03547161 ; TRANEL. Travaux Neuchâtelois de Linguistique, Institut des sciences du langage et de la communication (Neuchâtel, Suisse), 2022, VARIA, 75, pp.85-103 ; unine.ch/tranel/home/tous-les-numeros/tranel-75.html (2022)
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Neither housewives, nor courtesans : Women writers in the French anarchist press ; Ni ménagères, ni courtisanes : les femmes de lettres dans la presse anarchiste française (1885-1905)
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In: https://tel.archives-ouvertes.fr/tel-03450965 ; Linguistique. Université de Lyon; Université du Québec à Montréal, 2021. Français. ⟨NNT : 2021LYSE2036⟩ (2021)
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Writing to the mentor. The Istrati-Rolland and Gide-Malaquais correspondences ; Écrire au mentor, les correspondances Istrati-Rolland et Gide-Malaquais
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In: Les Conrad français. Écrivains, étrangers, français (1918-1947) ; https://hal.archives-ouvertes.fr/hal-03423996 ; Victoria Pleuchot; Julien Roumette. Les Conrad français. Écrivains, étrangers, français (1918-1947), La Revue des lettres modernes - Minores XIX-XX (8), Classiques Garnier, pp.215-235, 2021, Les Conrad français. Écrivains, étrangers, français (1918-1947), 978-2-406-12540-2. ⟨10.48611/isbn.978-2-406-12540-2.p.0215⟩ ; https://classiques-garnier.com/la-revue-des-lettres-modernes-2021-8-les-conrad-francais-ecrivains-etrangers-francais-1918-1947-ecrire-au-mentor-les-correspondances-istrati-rolland-et-gide-malaquais.html (2021)
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Joseph Priestley and the French Connection: A Study in Eighteenth-Century Grammaticography. ...
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Écrire au mentor, les correspondances Istrati-Rolland et Gide-Malaquais ...
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The Order of Signs: Perspectives on the Relationship between Language and Thought during the First Century of Widespread Sign Language Teaching
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In: ISSN: 0018-2680 ; EISSN: 1748-5959 ; History of Education Quarterly ; https://hal.archives-ouvertes.fr/hal-02914479 ; History of Education Quarterly, Wiley, 2020, 60 (4), pp.520-545 (2020)
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| 14 |
Comparative philology, French music, and the composition of Indo-Europeanism from Fétis to Messiaen. ...
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Asimov, Peter. - : Apollo - University of Cambridge Repository, 2020
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Demokratie lernen in der Schule. Politische Bildung als Aufgabe für alle Unterrichtsfächer
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In: Münster ; New York : Waxmann 2020, 234 S. - (Salzburger Beiträge zur Lehrer/innen/bildung; 9) (2020)
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Первые азбуки и буквари по французскому языку в России XVIII – первой половины XIX века ... : First french alphabet books and primers in Russia in XVIII – first half of the XIX century ...
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Колобкова, А.А.. - : ФГБНУ «Институт педагогики, психологии и социальных проблем», 2020
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Comparative philology, French music, and the composition of Indo-Europeanism from Fétis to Messiaen.
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Abstract:
This thesis argues that the disciplines of comparative philology and linguistics exerted significant force on the priorities and techniques of musicologists and composers in fin-de-siècle France, and examines how ideologies of Indo-Europeanism (or aryanism), concomitant with comparative philology, generated efforts to ‘sound out’ Indo-Europeanism in music. Using a relational approach, dense interdisciplinary networks of philologists/linguists, musicologists, and composers are reconstructed to demonstrate how musicological appropriations of linguistic research reverberated in musical composition right through the 1950s. These contexts reveal how wide-ranging repertories emerged from ethnic-nationalist projects of reclaiming Indo-European ‘patrimony’. The thesis is in two Parts. Part I, ‘Philologie comparée, musicologie, and Indo-European hypotheses’, is organised around four overlapping intellectual networks comprising comparative philologists and musicologists. Francophone musicologists’ efforts to model their discipline on that of comparative philology are surveyed. Scholars discussed include Fétis, Gevaert, Bourgault-Ducoudray, Burnouf, Meillet, Aubry, Emmanuel, and Grosset. Arguments concerning the place of music between concepts of ‘language’ and ‘race’ are retraced, with special attention paid to musicologists’ efforts to pinpoint quasi-morphological ‘Indo-European’ musical structures – in particular, ‘modes’ and ‘metres’ – construed as ‘essential’ and ‘ancestral’. Part II, ‘Composing with philology: performances of authenticity and innovation’, describes how the intellectual project elaborated in Part I infiltrated compositional practices. Close musical and paratextual readings show how composers legitimated experimentalism through ‘performances’ of philological ‘authenticity’. Over time, musical parameters such as modes and metres are abstracted and assimilated into compositional lexicons. Composers discussed include Bourgault-Ducoudray, Saint-Saëns, Séverac, Roussel, and Emmanuel. This root system flourishes in the music of Olivier Messiaen, whose rhythmic technique is revisited in light of manuscript materials. From his borrowings of early Indian metres (deśītālas) through his hyperformalist ‘Mode de valeurs et d’intensités’, Messiaen’s rhythmic style is radically reinterpreted as a logical extension of francophone musicology’s disciplinary and epistemological inheritance from comparative philology. ; Gates Cambridge Scholarship
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Keyword:
Comparative Philology; French Music; History of Musicology; Indo-Europeanism; Olivier Messiaen
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URL: https://doi.org/10.17863/CAM.59302
https://www.repository.cam.ac.uk/handle/1810/312210
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| 18 |
Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art.
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Schreibarbeit, Schreiben als Arbeit
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In: Zanetti, Sandro (2020). Schreibarbeit, Schreiben als Arbeit. In: Vogl, Joseph; Wolf, Burkhardt. Handbuch Literatur & Ökonomie. Berlin: De Gruyter, 266-268. (2020)
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A Translation of Dominik Nagl’s Grenzfälle with an Introductory Analysis of the Translation Process
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In: Masters Theses (2020)
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