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Fás an Chraoibhín
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In: Studies in Arts and Humanities ; 4 ; 1 ; 73-79 (2021)
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22 |
Reclaiming the Monster: Abjection and Subversion in the Marital Gothic Novel
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In: Studies in Arts and Humanities ; 4 ; 1 ; 53-72 (2021)
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23 |
Dubliners 1914 - Dubliners 100 (2014): Local Histories of Troubled Sexuality?
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In: Studies in Arts and Humanities ; 5 ; 2 ; 2-29 (2021)
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24 |
"Dieses Buch ist kein Roman": Jürgen Thorwalds "Die große Flucht" zwischen Zeitgeschichte und Erinnerungspolitik
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In: Zeithistorische Forschungen / Studies in Contemporary History ; 6 ; 3 ; 367-390 ; Populäre Geschichtsschreibung (2021)
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25 |
Protecting Endangered Languages: The Case of Irish
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In: Studies in Arts and Humanities ; 3 ; 2 ; 109-130 ; Traveller Ethnicity (2021)
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26 |
Berta Lasks 'Die Befreiung' (1926): Betrachtungen zum Verhältnis von Frausein und Revolution
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In: GENDER - Zeitschrift für Geschlecht, Kultur und Gesellschaft ; 13 ; 1 ; 124-137 (2021)
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27 |
Horizons Without Borders: Wendy Trevino's 'Cruel Fiction' and the Utopian Poetry of the Commune
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In: Studies in Arts and Humanities ; 5 ; 1 ; 49-66 ; Utopian Acts (2021)
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Abstract:
Contemporary anti-capitalist and anti-racist politics are beginning to organize around the violence of borders. This comes in reaction to the re-enforcement of nation-states which has taken hold after the economic crisis of 2008. In this article I analyze the collection of poems, Cruel Fiction, by the American poet Wendy Trevino, to show how the new struggles are taking up poetry as one of their weapons and in doing so build on a utopian tradition of revolutionary struggle. I focus my reading around Trevino's invocation of communal forms such as plural "We's" and her use of historic revolutionary moments, and how this all together shapes the inherent utopian horizon in her poetry. The reading of Cruel Fiction will take form in a three-step structure investigating the way Trevino, in her poems, moves from the singular "I" over the plural "We", finally ending with the political subject of the "Commune". I summarize my reading by pointing to how Cruel Fiction is uniquely connected to the real political struggle going on in the present against borders and other capitalist formations, and how she forms this connection between poetry and political struggle in the figure of the commune. The commune comes to be the figure of a place of open reproduction of identity freed from the capitalist reproduction of oppression.
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Keyword:
Borders; Communism; Linguistics; Linguistik; Literatur; Literature; Literaturwissenschaft; Nation-state; Poetry; rhetoric and criticism; Rhetorik; Science of Literature; Sprachwissenschaft; US-Mexico border; Utopian activism
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URL: https://www.ssoar.info/ssoar/handle/document/73794 https://doi.org/10.18193/sah.v5i1.162 http://sahjournal.com/index.php/sah/article/view/162
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28 |
Once a Villain Always a Villain: Edmund's "Reformation" in King Lear, 5.3.241-2
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In: Studies in Arts and Humanities ; 1 ; 5-13 (2021)
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29 |
Investigating the Communicative Functions of Interrogative Sentences in Dialogue Texts
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In: Media Watch ; 11 ; 3 ; 488-501 (2021)
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30 |
Book Review: Women in Arabic Literature in Nigeria: Issues, Expressions, Analysis (Being Synopsis of the Arabic Version)
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In: Africa Spectrum ; 56 ; 2 ; 231-233 ; Katibi, Abdulrazaq M. ; 2020 ; Women in Arabic Literature in Nigeria: Issues, Expressions, Analysis (Being Synopsis of the Arabic Version) ; Malete ; Kwara State University, Department of Linguistics, African and European Languages ; 978-187-928-9 (2021)
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31 |
Seehäfen in der lyrischen Dichtung Roms zwischen später Republik und früher Kaiserzeit
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In: Deutsches Schiffahrtsarchiv ; 39 ; 509-555 (2021)
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32 |
Psychoanalysing Theresa: Telling It Slant in Alice McDermott's Child of My Heart
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In: Studies in Arts and Humanities ; 3 ; 1 ; 20-33 (2021)
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33 |
Sustenance of Native Culture in Multilingual Written Texts: A Case Study of The God of Small Things and The Hungry Tide
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In: Media Watch ; 8 ; 3 ; 378-388 (2021)
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34 |
Simone de Beauvoir: considerações sobre o envelhecimento e a finitude na obra 'Mal-entendido em Moscou'
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In: Griot: Revista de Filosofia ; 21 ; 2 ; 1-14 (2021)
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35 |
The Birth of the Tourist out of the Spirit of Modernity: The travel bug from Marlowe's Doctor Faustus to Houellebecq's Platform
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In: Studies in Arts and Humanities ; 4 ; 1 ; 40-52 (2021)
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36 |
Privatisierte Weiblichkeit: Genealogien und Einbettungsstrategien feministischer Kritik im postsozialistischen Polen
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Seiler, Nina. - : transcript Verlag, 2021. : DEU, 2021. : Bielefeld, 2021
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In: Gender Studies ; 339 (2021)
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37 |
Sexualität - Geschlecht - Affekt: Sexuelle Scripts als Palimpsest in literarischen Erzähltexten und zeitgenössischen theoretischen Debatten
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In: Gender Studies ; 326 (2021)
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38 |
Rezension: Und wie halten Sie es mit der Individualität? Auf Spurensuche in der Literatur des Nahen und Mittleren Ostens
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In: 360° – Das studentische Journal für Politik und Gesellschaft ; 6 ; 1 ; 18-19 ; Elger, Ralf ; Köse, Yavuz ; 2010 ; Many Ways of Speaking About the Self: Middle Eastern Ego-Documents in Arabic, Persian, and Turkish (14th–20th Century) ; Wiesbaden ; Harrassowitz ; 978-3-447-06250-3 (2021)
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39 |
Tools and Techniques Used in the Language of Advertisements: The Linguistic Perspective
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In: Media Watch ; 11 ; 3 ; 565-580 (2021)
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40 |
Staging the Easter Rising: Plays by W.B. Yeats, Sean O'Casey and Colm Tóibín
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In: Studies in Arts and Humanities ; 2 ; 1 ; 67-77 (2021)
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