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Simple Search
Hits 1 – 19 of 19
1
The anatomy of folly in Shakespeare's "Henriad"
Bell, Robert H.
In:
Humor. - Berlin ; Boston : de Gruyter Mouton
14 (2001) 2, 181-201
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2
Syntax and 'ethos' in English style
King, Robert L.
In:
Language and style. - Flushing, NY : Queens College Press
24 (1991) 4, 503-516
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3
Go figure : troping the unspeakable
In:
Style. - University Park, PA : Pennsylvania State University Press
34 (2000) 3, 350-529
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4
Ungrammatical notes 15 : behind and beyond Shakespeare's wordplay
Brame, Michael
In:
Linguistic analysis. - Vashon Island, Wash. : Linguistic Analysis
29 (1999) 3-4, 349-368
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5
'This precious stone set in the silver sea...' : literal and figurative references to jewelry in the plays of William Shakespeare
Owens, Nancy J.
;
Harris, Alan C.
In:
Semiotica. - Berlin ; Boston : De Gruyter Mouton
123 (1999) 1-2, 77-95
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6
The dialogue in Shakespeare's "The comedy of errors" as an exponent of extralinguistic vs. linguistic errors, or : the duality of reality
Kryk-Kastovsky, Barbara
In:
On language theory and practice ; 1. Language theory and language use. - Katowice : Wyd. Uniw. Śla̜skiego
(1999), 127-138
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7
'And all things change them to the contrary' : Romeo and Juliet and the metaphysics of language
Lucking, David
In:
English studies. - Abingdon : Routledge, Taylor & Francis Group
78 (1997) 1, 8-18
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8
The creation and use of compound words in Jacobean tragedy
Koskenniemi, Inna
In:
Neuphilologische Mitteilungen. - Helsinki : Neuphilologischer Verein
92 (1991) 1, 63-73
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9
Lost humor in "The Comedy of Errors" and "Twelfth Night"
West, Gilian
In:
English studies. - Abingdon : Routledge, Taylor & Francis Group
71 (1990) 1, 6-15
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10
Texts and pretexts in the English Renaissance
In:
Style. - University Park, PA : Pennsylvania State University Press
23 (1989) 3, 333-500
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11
The use of imaginative literature for communication theory construction : some precautions
VanOosting, James
In:
The quarterly journal of speech. - Abingdon : Routledge
71 (1985) 2, 218-226
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12
The iconic role of aspect in Shakespeare's Sonnet 129
Brinton, Laurel J.
In:
Poetics today. - Durham, NC : Duke Univ. Press
6 (1985) 3, 447-459
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13
The duke's attitude toward Angelo in I.l of "Measure for measure" : linguistic context and character
Aquino, Deborah T. Curren
In:
Language and literature. - San Antonio, Tex. : Univ.
10 (1985), 1-24
19 Literaturangaben
Keyword:
Anredeform
;
Frühneuenglisch
;
Shakespeare, William
;
Stil/Ästhetik
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14
Soliloquy as self-disclosure
Hugenberg, Lawrence W.
;
Schaefermeyer, Mark J.
In:
The quarterly journal of speech. - Abingdon : Routledge
69 (1983) 2, 180-187
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15
Wortspiel und Eigennamengebrauch in Shakespeares dramatischem Werk : Zusammenfassung
Müller, Peter
In:
International Congress of Onomastic Sciences <13, 1978, Krakau>. Proceedings of the Thirteenth International Congress of Onomastic Sciences ; 2. - Warszawa [u.a.] : Nakładem Uniw. Jagiellońskiego
(1982), 199-200
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16
The words of Mercury and the songs of Apollo : the status of the linguistic sign in "Love's Labour's Lost" and other Shakespearean comedies
Elam, Keir
In:
Istituto Universitario Orientale <Neapel>. Annali. Anglistica. - Napoli : Ist.
25 (1982) 1, 35-79
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17
Lust in action : an abstraction
Benzon, William L
In:
Language and style. - Flushing, NY : Queens College Press
14 (1981) 4, 251-270
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18
Implicature, convention, and "The Taming of the Shrew"
Cooper, Marilyn M.
In:
Poetics. - Amsterdam : Elsevier
10 (1981) 1, 1-14
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19
Nomen Omen : Lear's three daughters
Jacobson, Howard
In:
Revue belge de philologie et d'histoire. - Bruxelles : Société pour le Progrès des Etudes Philologiques et Historiques
63 (1980) 3, 595-603
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