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Hits 1.401 – 1.420 of 1.481
| 1401 |
Gabriele M. Diewald, Grammatikalisierung: eine Einführung in Sein und Werden Grammatischer Formen
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 363-374 (1998) (1998)
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| 1402 |
Os dois Brasis de Marie Luise Kaschnitz
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 47-62 (1998) (1998)
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| 1403 |
O trabalho filológico na tradução: considerações gerais sobre as traduções do médio alto-alemão para o português
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 329-347 (1998) (1998)
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| 1404 |
Das Problem der Stereotype und Vorurteile - mit besonderer Berücksichtigung des Fremdprachenunterrichts
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 257-288 (1998) (1998)
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| 1405 |
Geleitwort
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 9-10 (1998) (1998)
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| 1406 |
Os verbos de transporte aprefixados com weg-. Uma análise contrastiva de dados produzidos por informantes alemães e brasileiros
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 205-227 (1998) (1998)
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| 1407 |
Hans Jacob Christoffel von Grimmelshausen, Werke II. Grimmelshausen satirische Schriften; historische und Legendenromane
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 351-354 (1998) (1998)
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| 1408 |
"Für eine Kultur des Möglichkeitssinns". Interview mit Wilhelm Voßkamp
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 105-118 (1998) (1998)
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| 1409 |
Oddleif Leirbukt, Untersuchungen zum bekommen-Passiv im heutigen Deutsch
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 363-374 (1998) (1998)
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| 1410 |
A idéia da vanguarda no ensaio O Surrealismo. O último instantâneo da inteligência européia e sua repercussão na crítica alemã
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 119-140 (1998) (1998)
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| 1411 |
Heinrich Heine e Castro Alves: diversidade na convergência
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 23-33 (1998) (1998)
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| 1412 |
O olhar estrangeiro
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 13-21 (1998) (1998)
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| 1413 |
The development of translation theories in Europe
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 309-328 (1998) (1998)
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| 1414 |
Die Verkümmerung der Erfahrung: Eine vergleichende Analyse von Peter Schlemihls Wundersame Geschichte und Das Parfum
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 141-148 (1998) (1998)
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| 1415 |
Os verbos de conexão no alemão e no português
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 171-192 (1998) (1998)
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| 1416 |
Apresentação
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 2, Pp 7-8 (1998) (1998)
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| 1418 |
Wolf Biermann: Poetry, Volkssprache, and East German cultural politics
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In: Dissertations available from ProQuest (1997)
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Abstract:
This dissertation contends that Wolf Biermann has received an enormous amount of public attention, both positive and negative, not only because of the sensitive issues he addresses but also because of the perspicuous language he uses, and therefore provides a close reading of the language of his songs and poetry until 1976. His work has been analyzed with a view to his political stances, yet these examinations fail to explain why he has had such a powerful effect on the German public. Using the traditions and language of the Volk to dismantle the strictures of hierarchy in order to facilitate change in society, Biermann's method of provocation is a linguistic technique he developed in the early Sixties during the difficult period of de-Stalinization in the GDR. Since his folksy use of language is founded in tradition, this dissertation also traces one strand of literary history that informs Biermann's work: the Bankelsang and its incorporation into 20th century literature as a stage for social criticism and protest of injustice. Bertolt Brecht, Frank Wedekind and the German Expressionists figure prominently in the literary appropriation of this tradition that dates back to the sixteenth century. Biermann's use of folksy language and lyric forms prompts a reading of his work via Mikhail Bakhtin and his theories of the carnivalesque. Biermann is often interpreted as a destructive cynic, but does he really only intend to destroy existing conditions, or is the dual nature of the carnivalesque retained in Biermann's art? That is, is it both destructive and reviving? This dissertation concludes that his program contains both aspects. Direct and even vulgar language functions in Biermann's work as an attention-getting vessel constructed to convey his message in a way that is often uncomfortable but can not be missed, unequivocally exposing contradictory attitudes and prevailing hypocrisies in society. His program elucidates problematic social and political constellations by destroying deceptive jargons with the plain language of the common people and offering alternatives for a better future.
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Keyword:
Germanic literature
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URL: https://repository.upenn.edu/dissertations/AAI9727218
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| 1419 |
Apresentação
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 1, Pp 5-7 (1997) (1997)
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| 1420 |
Expediente
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 0, Iss 1, Pp 1-2 (1997) (1997)
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