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TIPD : Taiwan Indigenous Peoples open research Data 台灣原住民基礎開放研究資料庫 ...
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Moderating Effects of Intercultural Social Efficacy and the Role of Language in the Context of Coping Strategies in Study Abroad Depression
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In: International Journal of Environmental Research and Public Health; Volume 19; Issue 4; Pages: 2409 (2022)
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A Critical Discourse Study of Indigenous Language Revitalisation Policy in Taiwan
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臺灣與日本國民小學高年級英語教科書內容分析研究 ; Content Analysis of Taiwan's and Japan's English Textbooks in Grade Five and Six
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WALS Online Resources for Taiwanese Sign Language (Ziran Shouyu)
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: Max Planck Institute for Evolutionary Anthropology, 2021
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Effects of Cognitive Knowledge and Intercultural Behavioral Skills on Cultural Stereotypes and Intercultural Affect: A Case of Elementary Students’ Perspective on Islam
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In: International Journal of Environmental Research and Public Health; Volume 18; Issue 24; Pages: 13102 (2021)
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Experiences and Challenges of an English as a Medium of Instruction Course in Taiwan during COVID-19
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In: International Journal of Environmental Research and Public Health; Volume 18; Issue 24; Pages: 12920 (2021)
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PRESTIGIO Y VARIEDADES GEOGRÁFICAS EN LA ENSEÑANZA DE ELE. UN ACERCAMIENTO A LAS CREENCIAS Y ACTITUDES LINGÜÍSTICAS DE LOS UNIVERSITARIOS TAIWANESES
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In: Tonos Digital; NÚMERO 40- ENERO 2021 (2021)
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Glottolog 4.4 Resources for Taiwan Sign Language
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: Max Planck Institute for Evolutionary Anthropology, 2021
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Public Perceptions of Language Education in Taiwan: English in a Multilingual Context
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In: Mahurin Honors College Capstone Experience/Thesis Projects (2021)
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Taiwanese Texans : a sociolinguistic study of language and cultural identity ...
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Language maintenance through primary school education: the case of Daighi ...
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Going by an English Name: The Adoption and Use of English Names by Young Taiwanese Adults
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In: Social Sciences ; Volume 9 ; Issue 4 (2020)
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Language maintenance through primary school education: the case of Daighi
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Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi’s the Stolen Bicycle
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In: Theses and Dissertations (2020)
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Narrating connection in intercountry adoption: Complexities of openness in Taiwan‒Australia adoptions
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Taiwanese Texans : a sociolinguistic study of language and cultural identity
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Cinemas chineses: China continental, Taiwan e Hong Kong: questões sobre nacionalidade e identidade
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Abstract:
Dissertação de mestrado em Estudos Interculturais Português / Chinês: Tradução, Formação e Comunicação Empresarial ; A multiplicidade e diversidade étnica, cultural, linguística, histórica e política dos territórios chineses tornam impossível a tarefa de definir o cinema chinês como coeso e fechado. No caso chinês, as diferenças a nível regional e local, quer motivadas por diferenças étnicas, culturais e linguísticas, quer motivadas por questões históricas e políticas, ou até por uma combinação das duas, aliadas à crescente internacionalização e globalização dos meios de produção, distribuição e exibição da indústria cinematográfica, desafiam a verosimilhança do modelo nacional e motivam uma abordagem transnacional. O caso do cinema chinês é especialmente pertinente para este debate por ser possível distinguir três cinemas nacionais distintos. O presente trabalho centra-se no estudo dos vários cinemas chineses, nomeadamente, o cinema da China continental, o cinema de Taiwan e o cinema de Hong Kong, através da análise da obra de Zhang Yimou, Hou Hsiao-hsien e Wong Kar-wai. Partindo dos conceitos de nação e estado, indispensáveis às noções de identidade e nacionalidade, bem como das abordagens teóricas do cinema nacional e do cinema transnacional, pretende-se examinar as especificidades dos vários cinemas chineses que os distinguem entre si, invocando uma história, uma identidade e uma nacionalidade distintas. ; The ethnic, cultural, linguistic, historic, and political multiplicity and diversity of the Chinese territories make the task of defining Chinese cinema as cohesive and closed impossible. In the case of Chinese cinema, the local and regional differences, whether ethnical, cultural and linguistic, whether historic and political or even a combination of the two, together with the internationalization and globalization of production, distribution and exhibition practices and methods, challenge the verisimilitude and the pertinence of the national model while demanding a broader approach – a transnational approach. Since it can be subcategorized in three distinct national cinemas, namely, the cinema of mainland China, the cinema of Taiwan, and the cinema of Hong Kong, Chinese cinema is particularly relevant for this debate. The present study focuses on the various Chinese cinemas, through the analysis of the works of Zhang Yimou, Hou Hsiao-hsien, and Wong Kar-wai. From the concepts of nation and state, indispensable for understanding the notions of identity and nationality, and the theoretical approaches of national cinema and transnational cinema, the present study aims at examining the specificities of the various Chinese cinemas that make them distinguishable, and how each one invokes a distinct history, identity and nationality. ; 中国的领土、民族、文化艺术、语言、历史和政治的多样性与差异性使中国电影的一致性与封闭性成为不可能。中国电影本土和地区的差异，无论从以上的角度，还是从电影的制作、传播和展示方法的国际化和全球化角度，正越来越多地质疑国家电影的典型性，针对性和相关性。 现今的电影评论需要一个更广泛的典型 —— 一个跨域化的典型。正因为中国电影分为三个不同的类别，即中国大陆电影、台湾电影和香港电影，所以中国电影对跨域化电影类型的分析有着特别的意义。 本篇论文选择了张艺谋、侯孝贤和王家卫的影片为典型案例，对这三类电影加以分析。从民族电影和国别电影的概念为依据、以文化身份、地域概念以及国际化电影的理论框架为参照，本论文试图分析中国不同类型电影的特殊性，以及每部电影如展现各自不同的历史、身份和民族特征。
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Keyword:
China; Cinema nacional; Hong Kong; Humanidades::Outras Humanidades; Identidade; Identity; Nacionalidade; Nationality; Taiwan; 中国大陆; 台湾; 国家电影; 国籍; 身份; 香港
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URL: http://hdl.handle.net/1822/67166
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