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| 81 |
Continuing Orality and the Environment in Korean Literature: Writing as a Mode of Oral Performance in the Twentieth Century to the Present
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| 84 |
Preliminary Questions to Consider When Looking at an Oral Translation Approach
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| 85 |
Audio Dramas for Scripture Engagement: A participatory oral approach
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| 86 |
How's it going bros: ; PewDiePie's memeing in tertiary orality
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| 87 |
La formació d’un lèxic especialitzat en terra de frontera: el cas de la fitonímia popular de Crevillent
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| 88 |
Construção da concordância nominal em produções orais de aprendentes de PL2 ; Construction of the nominal agreement in oral productions of Portuguese as a foreign and second language learners
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| 89 |
O jogo como estratégia de revisão e de consolidação das aprendizagens no âmbito da Unidade Didática numa LE : Espanhol
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| 90 |
Como a oralidade desperta o protagonismo dentro da sala de aula ; How orality awakens the protagonism within the classroom
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Dias, Cláudia. - : Universidade Tecnológica Federal do Paraná, 2018. : Curitiba, 2018. : Brasil, 2018. : Ensino de Língua Portuguesa e Literatura, 2018. : UTFPR, 2018
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| 91 |
Marcas interacionais em rodas de conversa na educação infantil ; Interactional marks in circle time in early childhood education
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Memmel, Susanne Elfriede. - : Biblioteca Digital de Teses e Dissertações da USP, 2018. : Universidade de São Paulo, 2018. : Faculdade de Educação, 2018
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| 92 |
El español de América en el paisaje lingüístico genovés. El pretérito perfecto compuesto en las narraciones de estudiantes latinoamericanos
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In: Lingue e Linguaggi; Volume 25 (2018) - Special Issue; 323-345 (2018)
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| 93 |
L’elocutio en 1 Corinthiens : inventaire, stratégie et herméneutique
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| 96 |
Distinctive features of orality in a microlanguage: the Italian language in the plenary sessions of the European parliament. Some preliminary observations
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Bertozzi, Michela. - : Universitat Jaume I, 2018. : Universitat de València, 2018. : Universitat d' Alacant, 2018
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| 97 |
“SCORES FOR A PARTICULAR CHEMICAL ORCHESTRA”: THE ‘COMMEDIA’ AND THE MATTER OF SOUND IN OSIP MANDELSTAM’S ‘CONVERSATION ABOUT DANTE’
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In: Bibliotheca Dantesca: Journal of Dante Studies (2018)
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| 98 |
L’origine et le changement dans l’œuvre d’Eliseo Verón
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In: Communication & langages, N 196, 2, 2018-08-28, pp.39-54 (2018)
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| 99 |
Comment éditer un cours ? L’exemple de la collaboration de Louis Havet et d’Antoine Meillet
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In: Langages, N 209, 1, 2018-03-20, pp.35-57 (2018)
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| 100 |
Latin parlé / latin écrit : de la symbiose à la diglossie
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In: Langages, N 208, 4, 2018-01-15, pp.17-28 (2018)
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