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Panel Discussion: Migration Narratives in Europe
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In: Studies in 20th & 21st Century Literature (2022)
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A Sign of the Time: An Exploration of Interior Design for Senior Living via Aging In Place, Independent Living, Assisted Living, and Memory Care
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In: Undergraduate Honors Theses (2022)
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Language learning through interaction: Online and in the classroom
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In: The Coastal Review: An Online Peer-reviewed Journal (2022)
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THIS BODY IS AN ABSTRACTION: A Bilingual Anthology of Contemporary Puerto Rican Poetry
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In: Embargoed Honors Theses, University of Nebraska-Lincoln (2022)
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Life, Strength, Woman: English Translation of Julia de Burgos’s Poetry
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In: Honors Theses, University of Nebraska-Lincoln (2022)
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Student Centered Language Teaching: A Focus on Student Identity
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In: All Graduate Plan B and other Reports (2022)
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The family in Diamela Eltit's feminist discursive strategy ; La famille dans la stratégie discursive féministe de Diamela Eltit
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In: https://tel.archives-ouvertes.fr/tel-03616590 ; Linguistique. Université Toulouse le Mirail - Toulouse II, 2021. Français. ⟨NNT : 2021TOU20058⟩ (2021)
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| 8 |
The Space In-Between: Constructions of Girlhood and Coming of Age in the Fictions of Silvina Ocampo and Clarice Lispector
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Jan, Katie. - : eScholarship, University of California, 2021
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| 9 |
Heart of the Stone: A Critical Translation and Trilingual Edition of Rosa Chávez’s Ri uk’u’x ri ab’aj / El corazón de la piedra
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Abstract:
Maya K’iche’-Kaqchikel poet Rosa Chávez (San Andrés Itzapa, Chimaltenango, Guatemala, 1980) was a leading voice in the new wave of Latin American Indigenous writing that emerged after the 1960s. In a literary landscape in which few Maya women have published a full-length collection, she has authored five poetry books and a verse play, and her work has been widely anthologized and translated into six languages. Heart of the Stone comprises a translation of her third collection Ri uk’u’x ri ab’aj / El corazón de la piedra (2010), her only book in an entirely dual-language format. The book was originally published in Spanish with allograph translations into her paternal language K’iche’, the most widely spoken Maya language in Guatemala with a documented 1.6 million speakers. This dissertation marks Chávez’s first complete volume to appear in English and presents the 64 poems in a trilingual English-Spanish-K’iche’ edition with an accompanying four-part “Translator’s Introduction.”Part 1 “The Politics of Contemporary Maya Textualities” situates Rosa Chávez’s work in the context of Maya textual production in Guatemala that begins in the latter half of the twentieth century in direct response to ladino (non-Maya) representations of indigeneity and the state’s systematic targeting of Maya communities. Part 2 “Rosa Chávez’s Life and Writing” delves into the poet’s biography and the questions about identity that motivated her writing and the bilingual presentation of the book. Part 3 “Ways to Read Ri uk’u’x ri ab’aj / El corazón de la piedra” analyzes Chavez’s poetic techniques, which demonstrate a deep engagement with Maya formal structures, cosmovision, and fluid notions of textuality. Part 4 “On the English Translation” turns to the highly collaborative process between the translator and author, and the ethical considerations involved in bringing Mesoamerican Indigenous literatures to Anglophone audiences. This dissertation models a fluid-text translation appropriate to the dynamic, revisionist quality of Chávez’s poetic practice, in which she frequently updates and adapts poems to speak to the current political moment and demands of her community.
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Keyword:
Bilingualism; Central American Literature; Guatemala; Indigenous Literature; Latin American literature; Mesoamerican; Translation studies; Women's studies
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URL: https://escholarship.org/uc/item/9ss563mr
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| 10 |
Language affinity of heritage speakers in Western Canada: The link between language and emotions ...
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| 11 |
El Antisincretismo Religioso En Yawar Fiesta y Los ríos Profundos, De José María Arguedas
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| 13 |
“Fake It!”: An Exploration of Cinematography, Societal Expectations, and Artist Collaboration
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In: Undergraduate Honors Theses (2021)
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| 14 |
Anticlimax: The Multilingual Novel at the Turn of the 21st Century
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| 15 |
El “Edicto General de Gracia” del Inquisidor Pedro Moya de Contreras y su relación con dos textos del escritor mexicano del siglo XVI, Francisco de Terrazas
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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A Study of the Third Space in Latin American Costumbrismo
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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| 17 |
Dilemmas, Struggles and Concerns for International Students during the Global Pandemic- Nationalism and Internationalism
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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| 18 |
Panel Presentation: Palabra sobre palabra. El discurso político español y latinoamericano
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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| 19 |
2021 SECCLL Conference Program
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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| 20 |
Fiction, History, and Self-Conscious Narration in Mala gente que camina (2006) by Benjamín Prado
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2021)
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