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Women and other 'undesirables' in the Oxford English Dictionary
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| 22 |
Symbols and Meanings of Kanji with Bushu Onnahen As Representation of Women
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 47-56 (2021) (2021)
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| 23 |
Associations between language difficulties, peer victimization, and bully perpetration from 3 through 8 years of age : results From a population-based study
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| 24 |
Interface culture and gendered privacy risks in the context of Chinese locative social media use
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The social context of adolescent mental health and wellbeing : parents, friends and social media
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| 26 |
Translation Shift in The English-Indonesian Translation Sherif Hetata’s “Woman at Point Zero” Novel
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In: Metathesis: Journal of English Language, Literature, and Teaching; Vol 5, No 1 (2021): Metathesis: Journal of English Language, Literature, and Teaching; 40-49 ; 2580-2720 ; 2580-2712 ; 10.31002/metathesis.v5i1 (2021)
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| 28 |
The monster-woman in France in the seventeenth century (theater and iconography) ; La femme-monstre en France au XVIIe siècle (Théâtre et Iconographie)
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In: https://tel.archives-ouvertes.fr/tel-03267683 ; Linguistique. Université de Limoges, 2020. Français. ⟨NNT : 2020LIMO0004⟩ (2020)
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Abstract:
This work presents the theme of female monstrosity from 1635 to 1697 through the specificity of four case studies : Médée, Phèdre, Méduse and Madame Jobin inspired by La Voisin. The study of different theatrical genres like tragedy, musical tragedy and comedy, but also the analysis of engraved portraits and mythological or satirical engravings highlights the successive variations of the idea of " monster woman " in the whole XVII century. This thesis attempts to show that the portrayal of female monstrosity on stage or on pictures conveys the idea that the monstrosity is gradually destroyed. This destruction of the idea of monstrosity goes with the destruction of the hero or the heroin. These ideas have already been approached by Paul Bénichou and then by Sophie Vergne. This study shows that from Médée, model of the monster woman, no other woman can equal her. Every artwork follows the political, moral or aesthetic particularities contemporary to its writing. This context limits the display, on stage in particular, of a total female monstrosity as embodied by Médée. Every one of the theatrical and iconographic artworks, from Phèdre to the character of Lustucru, shows a meaning of the monstrosity that is specific to it, depending on it’s release or performance year. It indicates how the idea of " monster woman " always adapts to its context in order to represent successfuly the idea. ; Ce travail de recherche aborde le thème de la monstruosité féminine, de 1635 à 1697, à travers les spécificités de quatre études de cas : Médée, Phèdre, Méduse puis Madame Jobin inspirée par La Voisin. L’étude successive des différents genres théâtraux comme la tragédie, la tragédie en musique et la comédie, ainsi que l’analyse des portraits gravés, des estampes à tonalité mythologique ou satirique met en valeur les variations successives de la notion de femme-monstre sur l’ensemble du XVIIe siècle. Il s’agit de montrer que la figuration sur scène ou en image de la monstruosité féminine suggère une destruction progressive de la monstruosité qui accompagne une « démolition du héros » ou de l’héroïne, notions déjà abordées par Paul Bénichou puis Sophie Vergne. Cette étude démontre qu’à partir de Médée, parangon de la femme-monstre, aucune autre femme ne parvient à l’égaler car chaque œuvre épouse les particularités politiques, morales ou esthétiques contemporaines à l’écriture et ce contexte limite désormais l’exhibition, sur scène en particulier, d’une monstruosité féminine totale telle que Médée l’incarne. Chacune des œuvres du corpus théâtral et iconographique, de Phèdre au personnage de Lustucru, apporte selon son année de publication ou de mise en scène, une définition de la monstruosité qui lui est propre, soulignant dans quelle mesure la notion de femme-monstre parvient toujours à s’adapter à son contexte en vue d’une représentation efficace.
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Keyword:
[SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.LITT]Humanities and Social Sciences/Literature; Boyer; Donneau de Visé; Femme-monstre dans l'art et dans la littérature; Pierre Corneille; Racine; Thomas Corneille; Woman-monster in art and literature
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URL: https://tel.archives-ouvertes.fr/tel-03267683
https://tel.archives-ouvertes.fr/tel-03267683/document
https://tel.archives-ouvertes.fr/tel-03267683/file/2020LIMO0004.pdf
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| 30 |
Imágenes femeninas en la obra pampina de Hernán Rivera Letelier: (re)visión histórica y literaria de la mujer chilena
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In: TDX (Tesis Doctorals en Xarxa) (2020)
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| 31 |
Germanistik in Wien: Das Seminar für Deutsche Philologie und seine Privatdozentinnen (1897-1933)
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In: 85 (319) ; Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 280 (2020)
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| 32 |
"The books to the illiterate?" Romani publishing activities in the Soviet Union, 1927-1938
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In: Social Inclusion ; 8 ; 2 ; 346-357 ; Gypsy policy and Roma activism: from the interwar period to current policies and challenges (2020)
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| 33 |
Imágenes femeninas en la obra pampina de Hernán Rivera Letelier : (re)visión histórica y literaria de la mujer chilena
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| 34 |
Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland
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| 35 |
‘I can breathe, finally’: pasts, presents and (imagined) futures of working-class young women and girls engaged in beauty education
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| 36 |
Educating Mother: Examining the relationship between childrearing and childrearing pedagogy in 21 st Century Britain
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| 37 |
Soldiers and superheroes needed! Masculine archetypes and constrained bodily commodification in the sperm donation market
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| 38 |
Twitter reactions to the UN’s #HeForShe campaign for gender equality: A corpus-based discourse analysis
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| 39 |
ДОСЛІДЖЕННЯ УКРАЇНСЬКИХ НАРОДНИХ ПІСЕНЬ У КОНТЕКСТІ ГЕНДЕРОЛОГІЇ
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In: Збірник наукових праць Уманського державного педагогічного університету; № 2 (2016); 272-279 ; Collection of Scientific Papers of Uman State Pedagogical University; № 2 (2016); 272-279 ; 2307-4906 (2020)
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| 40 |
THE CONCEPT OF «WOMAN» IN RUSSIAN APHORISMS ; КОНЦЕПТ «ЖЕНЩИНА» В РУССКИХ АФОРИЗМАХ ; КОНЦЕПТ «ЖІНКА» В РОСІЙСЬКИХ АФОРИЗМАХ
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In: Мова; № 33 (2020); 76-79 ; 2414-9489 ; 2307-4558 (2020)
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