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The Liturgical Usage of Translated Gregorian Chant in the Korean Catholic Church
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In: Religions ; Volume 12 ; Issue 12 (2021)
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| 2 |
Palestinian Evangelical Christian Music in Bethlehem, Israel/Palestine
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In: Senior Honors Theses (2021)
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| 3 |
“Singing by Course” and the Politics of Worship in the Church of England, c1560–1640
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In: Apgar, James Campbell Nelson. (2018). “Singing by Course” and the Politics of Worship in the Church of England, c1560–1640. UC Berkeley: Music. Retrieved from: http://www.escholarship.org/uc/item/1t48923s (2018)
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Abstract:
“Singing by course” was both a product of and a rhetorical tool within the religious discourses of post-Reformation England. Attached to a variety of ostensibly distinct practices, from choirs singing alternatim to congregations praying responsively, it was used to advance a variety of partisan agendas regarding performance and sound within the services of the English Church.This dissertation examines discourses of public worship that were conducted around and through “singing by course,” treating it as a linguistic and conceptual node within broader networks of contemporary religious debate. I thus attend less to the history of the vocal practices to which “by course” and similar descriptions were applied than to the polemical dynamics of these applications. Discussions of these terms and practices slipped both horizontally, to other matters of ritual practice, and vertically, to larger topics or frameworks such as the nature of the Christian Church, the production of piety, and the roles of sound and performance in corporate prayer. Through consideration of these issues, “singing by course” emerges as a rhetorical, political, and theological construction, one that circulated according to changing historical conditions and to the interests of various ecclesiastical constituencies.
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Keyword:
Church of England; Music; Music history; Public worship; Reformation; Religious history; religious polemic; religious politics
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URL: http://www.escholarship.org/uc/item/1t48923s
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| 4 |
Sere dina ni Lotu Wesele e Viti : "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgy
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Investigation Report on Music for “Pentecost” Mass Ceremony at Church Joseph of Chongqing
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In: Cross-Cultural Communication; Vol 11, No 6 (2015): Cross-Cultural Communication; 117-121 ; 1923-6700 ; 1712-8358 (2015)
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| 6 |
Revitalisation in Unexpected Places: Music in the Urim Christian Church
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| 7 |
Ɨnyimbo sa kɨvwanji ; Christian songs in the Vwanji language
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Clifford; Jo. - : Wycliffe Bible Translators, Inc., 2014
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| 8 |
Misc church songs 5 ; ailos0098 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 9 |
Misc church songs 2 ; ailos0095 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 10 |
Misc church songs 3 ; ailos0096 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 11 |
Ye:si:mo: ; ailos0092 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 12 |
ni:yaː ɛ:mula dimeːnaː ; ailos0090 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 13 |
Misc church songs 4 ; ailos0097 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 14 |
Misc church songs 1 ; ailos0094 ; Documentation of Eibela
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Grant. - : Grant Aiton, 2013. : James Cook University, 2013
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| 15 |
Sere dina ni Lotu Wesele e Viti : "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgy ...
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| 17 |
Book Review: The Theory and Practice of the Music in the Seventh-day Adventist Church in Papua New Guinea
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| 18 |
The Changing Musical Soundscape: Regarding Music Choice in New Song Composition
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| 19 |
Book Review: The Value of Indigenous Music in the Life and Ministry of the Church
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