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Women and other 'undesirables' in the Oxford English Dictionary
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22 |
Symbols and Meanings of Kanji with Bushu Onnahen As Representation of Women
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In: Japanese Research on Linguistics, Literature, and Culture, Vol 4, Iss 1, Pp 47-56 (2021) (2021)
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Associations between language difficulties, peer victimization, and bully perpetration from 3 through 8 years of age : results From a population-based study
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24 |
Interface culture and gendered privacy risks in the context of Chinese locative social media use
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25 |
The social context of adolescent mental health and wellbeing : parents, friends and social media
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26 |
Translation Shift in The English-Indonesian Translation Sherif Hetata’s “Woman at Point Zero” Novel
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In: Metathesis: Journal of English Language, Literature, and Teaching; Vol 5, No 1 (2021): Metathesis: Journal of English Language, Literature, and Teaching; 40-49 ; 2580-2720 ; 2580-2712 ; 10.31002/metathesis.v5i1 (2021)
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28 |
The monster-woman in France in the seventeenth century (theater and iconography) ; La femme-monstre en France au XVIIe siècle (Théâtre et Iconographie)
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In: https://tel.archives-ouvertes.fr/tel-03267683 ; Linguistique. Université de Limoges, 2020. Français. ⟨NNT : 2020LIMO0004⟩ (2020)
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29 |
Le baume de l’album ...
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Abstract:
Pour Şerban Foarţă, la poésie est une modalité d’expérimenter, une texture caléidoscopique, polyglotte, un jeu linguistique dans lequel coexistent l’absurde, la parodie, l’humour, l’ambiguïté, le paradoxe. Bref, l’art de réinventer magistralement la langue. « Le baume de l’album » est un cycle de poésies qui, en ressuscitant l’ineffable d’un ancien conte populaire, cultive l’amour et la musique (avant toute chose), par la figure de la répétition, par l’homophonie, par le calambour. ... : For the author, the poetry is a mode of experimenting, a kaleidoscopic and polyglot texture, a linguistic game comprising the absurd, the parody, the humour, the ambiguity and the paradox. This is, in short, the art of masterfully re-inventing the language. The author presents a cycle of poetry reviving the ineffable of an ancient folk story. He cherishes love, the music above all, by means of repetition, homophony and pun. ...
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Keyword:
Amour; Cantilena; Cantilène; Cendrilloniser; Cinderellization; Femme; Love; Quatrain; Woman
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URL: https://dx.doi.org/10.15122/isbn.978-2-406-11253-2.p.0157 https://classiques-garnier.com/doi/garnier?article=AlkMS26_157
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30 |
Imágenes femeninas en la obra pampina de Hernán Rivera Letelier: (re)visión histórica y literaria de la mujer chilena
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In: TDX (Tesis Doctorals en Xarxa) (2020)
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31 |
Germanistik in Wien: Das Seminar für Deutsche Philologie und seine Privatdozentinnen (1897-1933)
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In: 85 (319) ; Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 280 (2020)
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32 |
"The books to the illiterate?" Romani publishing activities in the Soviet Union, 1927-1938
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In: Social Inclusion ; 8 ; 2 ; 346-357 ; Gypsy policy and Roma activism: from the interwar period to current policies and challenges (2020)
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33 |
Imágenes femeninas en la obra pampina de Hernán Rivera Letelier : (re)visión histórica y literaria de la mujer chilena
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34 |
Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland
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‘I can breathe, finally’: pasts, presents and (imagined) futures of working-class young women and girls engaged in beauty education
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Educating Mother: Examining the relationship between childrearing and childrearing pedagogy in 21 st Century Britain
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Soldiers and superheroes needed! Masculine archetypes and constrained bodily commodification in the sperm donation market
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38 |
Twitter reactions to the UN’s #HeForShe campaign for gender equality: A corpus-based discourse analysis
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39 |
ДОСЛІДЖЕННЯ УКРАЇНСЬКИХ НАРОДНИХ ПІСЕНЬ У КОНТЕКСТІ ГЕНДЕРОЛОГІЇ
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In: Збірник наукових праць Уманського державного педагогічного університету; № 2 (2016); 272-279 ; Collection of Scientific Papers of Uman State Pedagogical University; № 2 (2016); 272-279 ; 2307-4906 (2020)
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THE CONCEPT OF «WOMAN» IN RUSSIAN APHORISMS ; КОНЦЕПТ «ЖЕНЩИНА» В РУССКИХ АФОРИЗМАХ ; КОНЦЕПТ «ЖІНКА» В РОСІЙСЬКИХ АФОРИЗМАХ
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In: Мова; № 33 (2020); 76-79 ; 2414-9489 ; 2307-4558 (2020)
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