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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 50 1 The Tree of Life: The Politics of Kinship in Meiji Japan (1870-1915) Hofmann-Kuroda, Lisa Hofmann. - : eScholarship, University of California, 2018 BASE Show details 2 The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Mewhinney, Matthew Stanhope. - : eScholarship, University of California, 2018 Abstract: This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet-painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867-1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. As poet-painters, Buson, Saikō, Shiki, and Sōseki blended these constitutive elements of literature like strokes of paint on a canvas. Through examinations of blending, I show the movement of thought and feeling, the dynamism of lyric thinking, in poetic form.Through such blending each artist evoked a heightened consciousness of the senses—sight, sound, smell, and touch. I examine how each artist thinks through sensual embodiment in poetic form, and show how the boundaries of lyric thinking expand by the Meiji period as traditional genres of poetry begin to overlap and blend with modern prose. Between the late eighteenth century and the Meiji period, new genres of writing emerge, yielding more possibilities for sensual embodiment in poetic form. Traditional genres such as haikai and kanshi also endure as antiquated and autonomous forms, and in vernacular prose as compounded forms that place ideas of the past and the present in dialectical motion. This dialectical motion appears in modern prose as constitutive elements of lyric thinking, and as obstructions to the linear movement of thought in narrative prose.The chapters are organized chronologically. In Chapter 1, I show how lyric thinking manifests as tensions in the perception of time and space in Buson’s haikai. In Chapter 2, I examine Saikō’s kanshi, and show how her lyric thinking manifests in a dialectical and ironic relationship with genre. In Chapter 3, I show how Shiki’s lyric thinking manifests as contradictions of thought in his artistic practice called shasei, or “representing life.” In Chapter 4, I examine lyric thinking in Sōseki’s modern prose. I show how his lyrical novel Kusamakura and prose-poem Omoidasu koto nado give form to grief through contradiction and irony.The dissertation shows what the lyric writings of Buson, Saikō, Shiki, and Sōseki can tell us about lyric thinking, subjectivity, and the philosophy of poetic form. Keyword: Asian literature; Asian studies; Chinese poetry; Japanese poetry; literary form; literati culture; Literature; lyric theory; subjectivity URL: https://escholarship.org/uc/item/97g9d23n BASE Hide details 3 О трёх риторических жанрах современной Японии ... : On Three Rhetoric Genres of Contemporary Japan ... Ермакова Людмила Михайловна. - : Японские исследования, 2018 BASE Show details 4 日本語ピア・リーディング授業における学習者の批判的思考の活性化 楊 秀娥; Xiue YANG. - : 国立国語研究所, 2018 BASE Show details 5 『日本語日常会話コーパス』データ公開方針 : 法的・倫理的な観点からの検討を踏まえて 小磯 花絵; 伝 康晴; Hanae KOISO. - : 国立国語研究所, 2018 BASE Show details 6 次元形容詞はどんなときに使われるか : 日本語とスペイン語の対照研究 西内 沙恵; Sae NISHIUCHI. - : 国立国語研究所, 2018 BASE Show details 7 『日本語日常会話コーパス』の構築 : 会話収録法に着目して 田中 弥生; 柏野 和佳子; 角田 ゆかり. - : 国立国語研究所, 2018 BASE Show details 8 BCCWJ教科書データにおける複合辞の教科別使用状況 : 国語教育を視野に 渡辺 由貴; Yuki WATANABE. - : 国立国語研究所, 2018 BASE Show details 9 英語アルファベットによる日本語音声表記 野田 尚史; 中北 美千子; Hisashi NODA. - : 国立国語研究所, 2018 BASE Show details 10 日本語従属節の意味分類基準策定について : 「鳥バンク」節間意味分類体系再構築の提案 松本 理美; Satomi MATSUMOTO. - : 国立国語研究所, 2018 BASE Show details 11 中国人日本語専攻生の学術コミュニティへの参加過程の分析 : 中国の大学から日本の大学院へ 黄 均鈞; 霍 沁宇; 田 佳月. - : 国立国語研究所, 2018 BASE Show details 12 資料画像公開・利用の国際化と高度化の取り組み : 「日本語史研究資料［国立国語研究所蔵］」の事例 高田 智和; 福山 雅深; 堤 智昭. - : 国立国語研究所, 2018 BASE Show details 13 日本語学習者の作文執筆修正過程 : 中国人学習者と韓国人学習者の修正の位置と種類の分析から 田中 啓行; 石黒 圭; Hiroyuki TANAKA. - : 国立国語研究所, 2018 BASE Show details 14 『日本語日常会話コーパス』における転記の基準と作成手法 臼田 泰如; 川端 良子; 西川 賢哉. - : 国立国語研究所, 2018 BASE Show details 15 日本語学習者の習熟度別に見たフィラーの分析 小西 円; Madoka KONISHI. - : 国立国語研究所, 2018 BASE Show details 16 明治・大正期の文語文における一人称代名詞の通時的変化 : 『日本語歴史コーパス 明治・大正編I雑誌』と『東洋学芸雑誌』を用いた分析 近藤 明日子; Asuko KONDO. - : 国立国語研究所, 2018 BASE Show details 17 中学校段階のコミュニカティブな英語活動における文法指導 : 日本人英語学習者への疑問文のより良い指導を目指して 野地 美幸; 外川 洪; Miyuki Noji. - : 上越教育大学, 2018 BASE Show details 18 Crúbadán language data for Japanese (Romaji) Kevin Scannell. - 2018 BASE Show details 19 Crúbadán language data for Japanese (family) Kevin Scannell. - 2018 BASE Show details 20 Crúbadán language data for Japanese Kevin Scannell. - 2018 BASE Show details Page: 1 2 3

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