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1
When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
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2
Mobile Vulgus: Everyday Writing, Portable Technology, and Counterpublics
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3
Beckett and Romanticism
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4
Beyond the Anglosphere: The Teaching of Composition in Non-English Settings
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5
Signs of Intelligence: The Self-Aware Textuality of James Joyce
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6
Communal Belief and Textual Invention: An Ethnographic Analysis of First-Year College Students' Writing Processes in a Living Learning Community
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7
The Significance of Course Content in the Transfer of Writing Knowledge from First-Year Composition to Other Academic Writing Contexts
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8
Unsuspected Romantic Legacies: Modern Reimagining of Romanticism in Williams, Levertov, & Nabokov
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9
Seeing Is Believing: Exploring the Intertextuality of Aural and Written Blues in Gloria Naylor's Bailey's Café, Gayl Jones' Corregidora and Toni Morrison's Jazz
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10
Between Experimentation and Tradition: Two Visions of American Identity
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11
Labor and Leisure in the Tropical Environment: Race, Class, and the Enjoyment of Nature
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12
Composing Infrastructure: Programmatic Values and Their Effect on Digital Composition
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13
Inscriptions
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14
An Examination of the Patterns of Gendered Communication Styles in the First-Year Composition Class Blog
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15
(Un)Sure Writers: Potential Fluctuations in Self-Efficacy during the Writing Process
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16
Negotiating Genre: Emergence and Development of "The Research Paper" in First-Year Composition, 1912-1962
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17
Texts of a Nation: The Literary, Politcal, and Religious Imaginary of Pakistan
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18
Falsetto
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19
Ayn Rand's Heroes: Between and Beyond Good and Evil
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20
Complicity, Capitalism, and Contagion: Imperialism in Virginia Woolf's Fiction
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