| 1 |
A randomised controlled feasibility trial of music-assisted language telehealth intervention for minimally verbal autistic children-the MAP study protocol
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| 2 |
The legacy of Ortiz’s Yorubization of Lucumí: translation as transculturation
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| 4 |
The anatomy of a battle jacket: a multimodal ethnographic perspective
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| 5 |
Příhody lišky Bystroušky (The Cunning Little Vixen) Ecopolitics and Nationalism
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| 6 |
Group vocal improvisation as a music therapy technique in community mental health services: a comparative case study using convergent mixed methods
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| 7 |
Finding my voice: an interdisciplinary and multi-methodological investigation into the relationship between performers’ speech and musical expression
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| 8 |
Presence Through Sound: Place and Contemporary Music in East Asia
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| 10 |
From London to Leipzig and back: (Post-)Punk, ‘Endzeit’ and Gothic in the GDR
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| 11 |
Recursive Dynamics Embedded in the Core of Extended Compositional Practices
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| 12 |
An Imperfect Circle: Reflections on perception, repetitive processes and fragility in my recent compositional work
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| 13 |
Decomposition Theory: A Practice-Based Study of Popular Music Composition Strategies
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| 14 |
The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections
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| 15 |
Stretching and Bending the Frame – Green Possibilities in Popular Romantic Narratives
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| 16 |
The score is not the music : integrating experience and practice perspectives on value co-creation in collective consumption contexts
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| 18 |
Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance.
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| 20 |
Multi-layered ethnic and cultural influences in my musical compositions
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