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Neutral Tone in Mandarin: Representation and Interaction with Utterance-level Prosody ...
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Zhang, Yixin. - : Apollo - University of Cambridge Repository, 2022
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| 2 |
Learning to Perceive Non-Native Tones via Distributional Training: Effects of Task and Acoustic Cue Weighting
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In: Brain Sciences; Volume 12; Issue 5; Pages: 559 (2022)
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Computational Modelling of Tone Perception Based on Direct Processing of f0 Contours
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In: Brain Sciences; Volume 12; Issue 3; Pages: 337 (2022)
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| 4 |
Checked Syllables, Checked Tones, and Tone Sandhi in Xiapu Min
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In: Languages; Volume 7; Issue 1; Pages: 47 (2022)
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Heritage Speakers as Part of the Native Language Continuum ...
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| 7 |
Representing Multiple Dependencies in Prosodic Structures
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In: Proceedings of the Society for Computation in Linguistics (2022)
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| 8 |
Grandfather effects in Laoling disyllabic tone sandhi
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In: Proceedings of the Linguistic Society of America; Vol 7, No 1 (2022): Proceedings of the Linguistic Society of America; 5237 ; 2473-8689 (2022)
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| 9 |
Tone realization in Mandarin speech: a large corpus based study of disyllabic words
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In: The 12th International Symposium on Chinese Spoken Language Processing (ISCSLP 2021) ; https://hal.archives-ouvertes.fr/hal-03153413 ; The 12th International Symposium on Chinese Spoken Language Processing (ISCSLP 2021), Jan 2021, Hong Kong, China (2021)
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| 10 |
Restoration of High Frequency Auditory Perception After Robot-Assisted or Manual Cochlear Implantation in Profoundly Deaf Adults Improves Speech Recognition
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In: EISSN: 2296-875X ; Frontiers in Surgery ; https://hal.sorbonne-universite.fr/hal-03365244 ; Frontiers in Surgery, Frontiers Media S.A., 2021, 8, pp.729736. ⟨10.3389/fsurg.2021.729736⟩ (2021)
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| 11 |
Tone Sandhi in Uipo
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In: Himalayan Linguistics, vol 20, iss 2 (2021)
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| 12 |
Eastern Dan–French dictionary with a French–Dan index ; Dictionnaire dan de l’Est-français ; Восточный дан-французский словарь и французско-дан индекс
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In: ISSN: 0752-5443 ; EISSN: 2104-371X ; Mandenkan : Bulletin Semestriel d'Études Linguistiques Mandé ; https://halshs.archives-ouvertes.fr/halshs-03195231 ; Mandenkan : Bulletin Semestriel d'Études Linguistiques Mandé, Presses de l'Inalco, 2021, pp.3-332. ⟨10.4000/mandenkan.2541⟩ (2021)
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| 13 |
A Flute, Musical Bows and Bamboo Clarinets that "Speak" in the Amazon Rainforest; Speech and Music in the Gavião Language of Rondônia
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In: ISSN: 1664-1078 ; Frontiers in Psychology ; https://hal.archives-ouvertes.fr/hal-03440099 ; Frontiers in Psychology, Frontiers, 2021, 12 (December), pp.674289. ⟨10.3389/fpsyg.2021.674289⟩ ; https://www.frontiersin.org/articles/10.3389/fpsyg.2021.674289/abstract (2021)
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Abstract:
International audience ; The Gavião, a native Amazonian group in Rondônia, Brazil, use three different traditional musical instruments that they identify as “speaking” ones and that are characterized by a very tight music-lyric relation through similar pitch patterns: a flute (called kotiráp), a pair of mouth bows (iridináp), and three large bamboo clarinets (totoráp), played by three different players, each one playing a single-note clarinet). They show in different ways the relation of acoustic iconicity which exists between the words of the songs’ lyrics and the music played on such instruments to “sing” the songs. Linguistic analysis makes it possible to understand the phonetic and phonological nature of the iconicity. The sung speech form, being intermediate between the spoken and the instrumental forms, is useful for both learning and explaining the musical notes. In a language with distinctive tone and length, such as Gavião of Rondônia, the first question about speech that is played by musical instruments is the relation between the melodies and the super-segmental phonology of the corresponding words in sung speech and in modal spoken speech. It is influenced by the phonological possibilities of the spoken form and by the musical possibilities of the instrumental form. The description and analysis of Gavião instrumental speech and song practices are found to be a noteworthy contribution to the typology of instrumental language surrogates associated with a tone language, one that calls for a reexamination of hypotheses about which aspects of the phonological/phonetic structure can be transposed in instrumental speech and how this can be done. The role of this kind of instrumental sung speech is artistic and also practical as it contributes to maintain the oral heritage. Such practice represents a little-studied and threatened cultural heritage of the traditional substratum of the cultures of Amazonia.
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Keyword:
[SCCO.LING]Cognitive science/Linguistics; [SCCO.PSYC]Cognitive science/Psychology; [SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnology; archaic speech; Gavião of Rondônia; Instrumental speech; Musical acoustics; speech-music relation; talking musical instruments; Tone Language
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URL: https://doi.org/10.3389/fpsyg.2021.674289
https://hal.archives-ouvertes.fr/hal-03440099
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| 14 |
Potential mediators of the relationship between historical heterogeneity and high-frequency heart rate variability ...
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| 15 |
The representation of variable tone sandhi patterns in Shanghai Wu
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In: Laboratory Phonology: Journal of the Association for Laboratory Phonology; Vol 12, No 1 (2021); 15 ; 1868-6354 (2021)
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| 18 |
Native imitation of the flat-falling tonal continua in Mandarin ...
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| 19 |
What conditions tone paradigms in Yukuna: Phonological and machine learning approaches
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In: Glossa: a journal of general linguistics; Vol 6, No 1 (2021); 60 ; 2397-1835 (2021)
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Representing the moraic nasal in Japanese: evidence from Tōkyō, Ōsaka and Kagoshima
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In: Glossa: a journal of general linguistics; Vol 6, No 1 (2021); 63 ; 2397-1835 (2021)
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