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1
Mother Hicks [drama review]
In: Farnsworth Juvenile Literature Library, Harold B. Lee Library, Brigham Young University ; Harold B. Lee Library, Brigham Young University (2010)
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The taste of sunrise [drama review]
In: Farnsworth Juvenile Literature Library, Harold B. Lee Library, Brigham Young University ; Harold B. Lee Library, Brigham Young University (2010)
Abstract: Zeder, Susan. The Taste of Sunrise. Anchorage Press, 1996. ISBN 0876024010. Contact publisher regarding price. 81 p. Reviewer: Rebeca Wallin Reading Level: Intermedite, Young adult Rating: Outstanding Genre: Plays; Historical plays; Subject: Sign language--Juvenile drama; Deaf schools--Juvenile drama; Scarlet fever--Juvenile drama; Drama--Reviews; Theme: You must learn to be your true self before you can help others. Production Requirements: Minimalistic set with platform and chairs, bright lighting. Acts: 2 Run Time: 90 minutes Characters: 9 Cast: 5 F, 4 M (including 1 M Deaf actor-required & 1 M Deaf actor-strongly suggested) with doubling, or up to 21 + (6 F, 5 M, including 1 M Deaf actor-required, 1 M Deaf actor-strongly suggested, 10 + Either) with roles distributed Time Period: 1920s-1930s The story focuses on Tuc, a deaf man; Nell Hicks, a reclusive woman; and Maizie, a teenager. The play begins with Mother Hicks saving baby Tuc's life when he contracts Scarlet Fever. The fever causes Tuc to lose his hearing, and when he turns ten he is sent to a school for the deaf to learn to read lips and speak. While at the school, Tuc meets and becomes friends with Maizie, a hearing girl with deaf parents who works at the school. After attending school for several years, Tuc returns home to his dying Father. After his father's death, the orphaned Tuc stays with Mother Hicks for awhile. Later, through a misunderstanding, he ends up at the Illinois State Home. He is rescued by Maizie, who is also there and very pregnant. They escape together and return to Mother Hicks who helps Maizie deliver her baby. Maizie eventually leaves, leaving her baby with a family in town. The prequel to Zeder's Mother Hicks and second in a trilogy of plays, this multilingual ASL and spoken English play presents challenges for production. However, if the challenges are taken on, it could be an extremely powerful piece of art. As all lines for the show are translated into either ASL or spoken English, all of the actors need to be able to sign. The author specifies that Tuc should always be played by a deaf actor. The powerful and poetic writing will engage audiences, and the strong characters will make it an enjoyable experience for actors. The production elements are extremely simple, with just some chairs and levels on the stage so that the world of the play can be created through strong staging and acting. Volume 30, no. 6 (July/August 2010) ; 81 p. ; Children's Book and Play Review, August 2010
Keyword: Deaf schools--Juvenile drama; Drama--Reviews; Historical plays; Play review; Plays; Scarlet fever--Juvenile drama; Sign language--Juvenile drama
URL: http://contentdm.lib.byu.edu/cdm/ref/collection/CBPR/id/2910
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3
Domestic Dialogue: The Language and Politics of Adoption in the Age of Shakespeare
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4
Adopter Tchekhov : étude sociolinguistique de trois traductions québécoises d'Oncle Vania (1983-2001)
Gamache, Rachel. - 2010
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5
A Critical Modern-spelling Edition of John Fletcher's "Rule a Wife and Have a Wife"
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6
Рецептивная стратегия в драматургии
Давыдова, Евгения. - : Государственное образовательное учреждение высшего профессионального образования "Российский государственный гуманитарный университет", 2010
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Лингвокультурологический статус драмы (новое в изучении языка пьес)
КУБРЯКОВА ЕЛЕНА САМОЙЛОВНА; ПЕТРОВА НАТАЛЬЯ ЮРЬЕВНА. - : Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования «Тамбовский государственный университет имени Г. Р. Державина», 2010
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8
Creativity in drama : explanations and explorations
In: Davis, S 2010, 'Creativity in drama: explanations and explorations', NJ (Drama Australia Journal), vol. 33, no. 2, pp. 31-44. (2010)
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9
Physical Performance and the Languages of Translation ...
Harrop, Stephe. - : Humanities Commons, 2010
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10
Juva popâru kręšte ; JPK001 ; Documentation of the Vlashki/Zheyanski Language ('RUO')
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11
THE IMAGE OF THE FEMALE IN WRITTEN IGBO DRAMA ...
ONUEGBU, MARTINA CHINELO. - : Zenodo, 2010
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THE IMAGE OF THE FEMALE IN WRITTEN IGBO DRAMA ...
ONUEGBU, MARTINA CHINELO. - : Zenodo, 2010
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13
THE IMAGE OF THE FEMALE IN WRITTEN IGBO DRAMA ...
ONUEGBU, MARTINA CHINELO. - : Zenodo, 2010
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14
THE IMAGE OF THE FEMALE IN WRITTEN IGBO DRAMA ...
ONUEGBU, MARTINA CHINELO. - : Zenodo, 2010
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15
Darstellendes Spiel auf Englisch als Perspektive für den bilingualen Sachfachunterricht ...
Wedel, Heike. - : Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2010
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16
The bardic imperative in the drama of Marina Carr and Conor McPherson
Ryan, Owen Thomas. - : Dublin Business School, 2010
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17
Darstellendes Spiel auf Englisch als Perspektive für den bilingualen Sachfachunterricht
Wedel, Heike. - : Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2010
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18
Graduate Committee Minutes
In: Graduate Committee Minutes (2010)
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19
Songs_from_Bintus_wedding
Tiga. - : Abbie Hantgan-Sonko, 2010. : Dogon and Bangime Linguistics, 2010
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20
Friel and his 'Sisters'
GRENE, NICHOLAS. - 2010
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