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Gilles Deleuze and early cinema: The modernity of the emancipated time
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Toward a Deleuzean theory of translation: a translation of and commentary on A fuego eterno condenados
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Abstract:
This translation and commentary thesis presents a theory of literary translation based on the ideas of Gilles Deleuze, informed by and applied to a translation of parts 0, 1 and 2 of the novel A fuego eterno condenados (1994) by Chilean author Roberto Rivera Vicencio. Using an approach based on the iterative development of a theoretical framework and translation, it examines how specific translation problems from the text can contribute to and benefit from a translation theory based on the ideas of Deleuze. Analysing the work of Lawrence Venuti as indicative of a shift by Translation Studies from thinking of translation in terms of equivalence to thinking of it in terms of difference, the thesis builds on Venuti’s research, offering a systematic treatment of Deleuze’s earlier work to theorise translation as the production of simulacra in which the translator creates solutions in the domain of the Actual to a translation problem that exists in the Virtual. It then goes on to examine Deleuze’s later work, written in collaboration with F´elix Guattari, to develop a conceptual framework based on the concept of the texture of prose derived from the principles of a minor, or nomad, science. This framework is used to address specific problems arising in the translation, deriving a series of practical techniques and considerations that can be used to create this kind of texture in the application of a Deleuzean theory of translation to literary texts.
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Keyword:
Chile; foreignisation; Gilles Deleuze; Roberto Rivera Vicencio; texture
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URL: http://hdl.handle.net/1842/30980
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Teoria do romance e literatura menor: confluências teóricas para pensar a literatura brasileira
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In: Revista Letras; v. 94, n. 1 (2016): Ficção e história — múltiplas ressonâncias: dossiê em homenagem a Marilene Weinhardt ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v94i1 (2016)
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