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Benjamin and Deleuze: approaches to a critical history in film images ...
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Benjamin and Deleuze: Approaches to a Critical History in Film Images ...
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Total Capital -- Total Cinema
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In: Film, Media & Theatre Theses (2020)
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A antiliteratura da coisa: vidência e sensação em Clarice Lispector
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In: Revista Letras; v. 98 (2018): As muitas coisas de Clarice Lispector ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v98i0 (2019)
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Conflict inhabitation: an emerging deleuzoguattarian inspired conflict studies reterritorialized assemblage
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1981: One or Several Aesthetics?
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In: Electronic Thesis and Dissertation Repository (2018)
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Clayton Crockett (2013) Deleuze beyond Badiou: Ontology, Multiplicity, and Event
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In: English Faculty Publications (2017)
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Gilles Deleuze and early cinema: The modernity of the emancipated time
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Abstract:
Although the transition from the movement-image to the time-image is among the most commented-upon Deleuzian problems, Gilles Deleuze neglected the previous transition from ‘images in movement’ to the first regime of the movement-images. As my approach will be transhistorical, focusing especially on early silent movies and recently expanded cinema through early moving images (Lumière Brothers) and 1970s structural films (Malcolm Le Grice), I will reflect on how we can think time and moving images outside of this closed Deleuzian movement-image/time-image conceptual framework. In other words, we can ask: how can we expand this conceptual framework? Drawing on David Martin-Jones’ ‘attraction-image’, my aim is to explore the role of early cinema and the reasons for Gilles Deleuze’s own historical and technical (mis)judgement of early silent cinema. In this sense, the emergent studies on the history of early silent movies, and the growing field of Deleuzian studies on film, together have an important role on the philosophical and historiographical analysis of film’s expression of time and modernity.
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Keyword:
David Martin-Jones; early cinema; Gilles Deleuze; Lumière; Malcolm Le Grice; philosophy of film
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URL: http://hdl.handle.net/10536/DRO/DU:30089685
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Toward a Deleuzean theory of translation: a translation of and commentary on A fuego eterno condenados
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Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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Gilles Deleuze and the nondiscursive arts: From symptomatology to the capture of forces ...
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La Carícia del cinema: figures de l'amor i de l'alteritat al cinema francès després de la modernitat
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In: TDX (Tesis Doctorals en Xarxa) (2015)
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Toward an Organismic Subjectivity: Affect, Relation, Entanglement
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Philosophy of the imagination : time, immanence and the events that wound us in Wilson Harris’s Jonestown
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Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis
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Multilingualism and the Czechoslovak context of «Minor Literature» ; El multilingüismo y el contexto checoslovaco de «Literatura menor»
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In: 1616: Anuario de Literatura Comparada; Vol. 2 (2012); 281-294 ; 2445-2262 ; 0210-7287 (2013)
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Seeing futures in ballet: the storylines of four student ballet dancers
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Performance stylistics: Deleuze and Guattari, poetry and (corpus) linguistics
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In: International Journal of English Studies; Vol. 12 No. 2 (2012): A New Approach to Literature: Corpus Linguistics; 171-199 ; International Journal of English Studies; Vol. 12 Núm. 2 (2012): A New Approach to Literature: Corpus Linguistics; 171-199 ; 1989-6131 ; 1578-7044 (2012)
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