| 1 |
Benjamin and Deleuze: approaches to a critical history in film images ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Benjamin and Deleuze: Approaches to a Critical History in Film Images ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Total Capital -- Total Cinema
|
|
|
|
In: Film, Media & Theatre Theses (2020)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
A antiliteratura da coisa: vidência e sensação em Clarice Lispector
|
|
|
|
In: Revista Letras; v. 98 (2018): As muitas coisas de Clarice Lispector ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v98i0 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Conflict inhabitation: an emerging deleuzoguattarian inspired conflict studies reterritorialized assemblage
|
|
|
|
BASE
|
|
Show details
|
|
|
| 6 |
1981: One or Several Aesthetics?
|
|
|
|
In: Electronic Thesis and Dissertation Repository (2018)
|
|
Abstract:
Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze’s understanding of language and the body, which is also to say between literature and painting. Yet while The Logic of Sensation may read like an exhaustive theory of art, Deleuze subtly indicates in this text that his system has its limits. Along with the molecular, material depths of sensation, Deleuze alludes to a cosmological, immaterial function of art. He observes this to exist almost exclusively in music and its force of floating time. Rather than turning solely to Plateau 11: Of the Refrain, I also adopt his earlier writings on Proust to explore a Deleuzian musicology. This Proust-music aesthetic schema (which I coin the musical pole) contrasts sharply with that of Bacon-Artaud (the painterly pole). Through an examination of the painterly and musical poles and to what extent the two can be synthesized, my work examines the enthralling disjunction in Deleuze’s aesthetics.
|
|
Keyword:
aesthetics; Antonin Artaud; Comparative Literature; Contemporary Art; depths; Fine Arts; Francis Bacon; Gilles Deleuze; heights; hysteria; immateriality; Marcel Proust; modernism; molecular; music; Musicology; Olivier Messiaen; painting; Pierre Boulez; refrain; schizophrenia; sensation; spirit; territory; Theory and Criticism; time
|
|
URL: https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=7808&context=etd
https://ir.lib.uwo.ca/etd/5723
|
|
BASE
|
|
Hide details
|
|
|
| 7 |
Clayton Crockett (2013) Deleuze beyond Badiou: Ontology, Multiplicity, and Event
|
|
|
|
In: English Faculty Publications (2017)
|
|
BASE
|
|
Show details
|
|
|
| 8 |
Gilles Deleuze and early cinema: The modernity of the emancipated time
|
|
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Toward a Deleuzean theory of translation: a translation of and commentary on A fuego eterno condenados
|
|
|
|
BASE
|
|
Show details
|
|
|
| 10 |
Wastelands, Revolutions, Failures
|
|
|
|
In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Gilles Deleuze and the nondiscursive arts: From symptomatology to the capture of forces ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 12 |
La Carícia del cinema: figures de l'amor i de l'alteritat al cinema francès després de la modernitat
|
|
|
|
In: TDX (Tesis Doctorals en Xarxa) (2015)
|
|
BASE
|
|
Show details
|
|
|
| 13 |
Toward an Organismic Subjectivity: Affect, Relation, Entanglement
|
|
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Philosophy of the imagination : time, immanence and the events that wound us in Wilson Harris’s Jonestown
|
|
|
|
BASE
|
|
Show details
|
|
|
| 15 |
Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis
|
|
|
|
BASE
|
|
Show details
|
|
|
| 16 |
Multilingualism and the Czechoslovak context of «Minor Literature» ; El multilingüismo y el contexto checoslovaco de «Literatura menor»
|
|
|
|
In: 1616: Anuario de Literatura Comparada; Vol. 2 (2012); 281-294 ; 2445-2262 ; 0210-7287 (2013)
|
|
BASE
|
|
Show details
|
|
|
| 19 |
Seeing futures in ballet: the storylines of four student ballet dancers
|
|
|
|
BASE
|
|
Show details
|
|
|
| 20 |
Performance stylistics: Deleuze and Guattari, poetry and (corpus) linguistics
|
|
|
|
In: International Journal of English Studies; Vol. 12 No. 2 (2012): A New Approach to Literature: Corpus Linguistics; 171-199 ; International Journal of English Studies; Vol. 12 Núm. 2 (2012): A New Approach to Literature: Corpus Linguistics; 171-199 ; 1989-6131 ; 1578-7044 (2012)
|
|
BASE
|
|
Show details
|
|
|
|
|
