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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5 6 Hits 81 – 100 of 108 81 Interpretation Jeffries, Lesley; McIntyre, Dan; Bousfield, Derek. - 2006 BASE Show details 82 Molière's language: perspectives and approaches Clark, Sally R.. - 2005 BASE Show details 83 Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu Littau, Karin. - : Edinburgh University Press, 2005 BASE Show details 84 In a message dated. Morgan Cutler, Angela. - 2005 BASE Show details 85 Performing the Edwardian ideal: David Mamet and "The Winslow Boy" Morra, Irene. - : University of Toronto Press, 2005 BASE Show details 86 Research Error. How I Came to be Where I am. Arnold, David. - : University of Worcester, 2005 BASE Show details 87 With Skirmish and Capricious Passagings: Ornithological and Poetic Discourse in the Nightingale Poems of Coleridge and Clare. Sly, Debbie. - : University of Worcester, 2005 BASE Show details 88 Silent game: the stylistic 'shadow' of a poem and readers' meanings Jeffries, Lesley. - 2004 BASE Show details 89 Not a drop to drink: Emerging meanings in local newspaper reporting of the 1995 water crisis in Yorkshire Jeffries, Lesley. - : Walter de Gruyter GmbH & Co, 2003 BASE Show details 90 The Effects of Word Substitution in Slips of the Tongue, Finnegans Wake and The Third Policeman MacMahon, Barbara. - : Routledge, 2001 BASE Show details 91 Constructing the adolescent female body: a critical discourse analysis approach Jeffries, Lesley. - 2000 BASE Show details 92 Pandora's Tongues Littau, Karin. - : Consortium Erudit, 2000 BASE Show details 93 Diamela Eltit: A Gendered Politics of Writing Green, Mary. - : Cardiff University Press, 2000 BASE Show details 94 Rudyard Kipling's Just So Stories translated into Portuguese: contexts and text De Brito, Ana Cassilda Saldanha. - 1999 BASE Show details 95 Penelope Fitzgerald's fiction and literary career: form and context Lu, Lian. - 1999 BASE Show details 96 An Analysis of the Readings of Cultural Indicators Embedded in Children's Literature Texts Williams, S.J.. - 1998 BASE Show details 97 Translation in the Age of Postmodern Production: From Text to Intertext to Hypertext Littau, K. - : Oxford University Press (OUP), 1997 BASE Show details 98 Order in a world of chaos: a comparative study of a central dialectic in works of Thomas Mann, Franz Kafka and Luis Cernuda McKinlay, Neil Charles. - 1996 BASE Show details 99 What makes language into art? Jeffries, Lesley. - : Routledge, 1996 BASE Show details 100 Performing Translation Littau, Karin. - : Cambridge University Press (CUP), 1993 Abstract: Both actor and translator, and by extension translation and performance suffer the plight of second hand art. Disloyal to their original masters they commit adultery. Thus, translation and performance become the unfortunate bastards of literature. If translation is meant to overcome the difference between itself and its other, performance is accused of playing it out and playing up. Such is the attitude which both have shared in each of their respective literary histories. The emphasis here is on literary history, for it assumes the tyranny of the text, the sacredness of the word. The quest for the origin, the reconstruction of the original greatness will always follow the linear path to the bastardized version, towards its own inferiorization. Precisely because translation and performance share this secondary status, this paper will adopt the metaphor of translation and adapt it to describe the relationship between text and performance. Translation here will be taken as that process which underlies any meaning production; it will not be reduced to a merely linguistic motion, nor seen in the form of an obvious reduplication, but as a complex interrelation between two elements. We will thus examine the translatory processes between text and performance before exposing the most illegitimate member in this affair: the translated dramatic text. Keyword: PB Modern European Languages; PN Literature (General); PN0080 Criticism; PN2000 Dramatic representation. The Theater URL: http://repository.essex.ac.uk/15156/ https://doi.org/10.1017/S0307883300017570 BASE Hide details Page: 1 2 3 4 5 6

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