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81
Interpretation
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82
Molière's language: perspectives and approaches
Clark, Sally R.. - 2005
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83
Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu
Littau, Karin. - : Edinburgh University Press, 2005
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84
In a message dated.
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85
Performing the Edwardian ideal: David Mamet and "The Winslow Boy"
Morra, Irene. - : University of Toronto Press, 2005
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86
Research Error. How I Came to be Where I am.
Arnold, David. - : University of Worcester, 2005
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87
With Skirmish and Capricious Passagings: Ornithological and Poetic Discourse in the Nightingale Poems of Coleridge and Clare.
Sly, Debbie. - : University of Worcester, 2005
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88
Silent game: the stylistic 'shadow' of a poem and readers' meanings
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89
Not a drop to drink: Emerging meanings in local newspaper reporting of the 1995 water crisis in Yorkshire
Jeffries, Lesley. - : Walter de Gruyter GmbH & Co, 2003
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90
The Effects of Word Substitution in Slips of the Tongue, Finnegans Wake and The Third Policeman
MacMahon, Barbara. - : Routledge, 2001
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91
Constructing the adolescent female body: a critical discourse analysis approach
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92
Pandora's Tongues
Littau, Karin. - : Consortium Erudit, 2000
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93
Diamela Eltit: A Gendered Politics of Writing
Green, Mary. - : Cardiff University Press, 2000
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94
Rudyard Kipling's Just So Stories translated into Portuguese: contexts and text
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95
Penelope Fitzgerald's fiction and literary career: form and context
Lu, Lian. - 1999
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96
An Analysis of the Readings of Cultural Indicators Embedded in Children's Literature Texts
Williams, S.J.. - 1998
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97
Translation in the Age of Postmodern Production: From Text to Intertext to Hypertext
Littau, K. - : Oxford University Press (OUP), 1997
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98
Order in a world of chaos: a comparative study of a central dialectic in works of Thomas Mann, Franz Kafka and Luis Cernuda
Abstract: This thesis is a comparative study of three overtly unrelated authors. Thomas Mann, Kafka and Cernuda, setting them in a European context of a 'crisis of faith' where doubt in the existence of an ordered universe ultimately governed by God is becoming widespread. Rather than a philosophical or theological study, however, this thesis concentrates on the way that this loss of faith finds its expression in literature. After a brief introduction, setting the context, the focus is first of all on the way that faith in God (or some kind of Absolute) and order generally becomes lost, and the consequences of that loss in individual lives. Not surprisingly, this loss of order is grounds for despair, but what then manifests itself is a desire to find order once again. It is this desire for order which then provides the focus for the whole of the rest of the thesis. There is a desire both for absolute order and for order in the material world. Chapter two concentrates on the quest for absolute order, which would give genuine ontological security and a sense that there is ultimate meaning and purpose in the cosmos. This quest does however fail, but there are other quests for order, in both 'love' and erotic impulses and in art. The problems however continue, for 'love' is dominated by a sexuality which causes more chaos than it does order, and at its best is only transient. Similarly, art, while at times positive, at least temporarily, can divorce the artist from life and can bring him into contact with a darker, more 'chaotic' side of existence. There is also the desire to write literary works themselves, but this has problems of its own: the fluid nature of meaning and the fate of literature once it has left the control of the writer.
Keyword: PN0080 Criticism; PQ Romance literatures
URL: http://theses.gla.ac.uk/1348/
https://eleanor.lib.gla.ac.uk/record=b1606701
http://theses.gla.ac.uk/1348/1/1996mckinlayphd.pdf
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99
What makes language into art?
Jeffries, Lesley. - : Routledge, 1996
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100
Performing Translation
Littau, Karin. - : Cambridge University Press (CUP), 1993
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