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КУЛЬТУРОВЕДЧЕСКИЙ АСПЕКТ ПРЕПОДАВАНИЯ РУССКОГО ЯЗЫКА В ШКОЛЕ ... : CULTURAL STUDIES ASPECT OF TEACHING RUSSIAN AT SCHOOL ...
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Stilistik. Sonderdossier zu Stilmitteln des Deutschen. Idioma B Alemany. Literatura Alemanya. Unterrichtsmaterialien Anhänge
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Stilistik. Sonderdossier zu Stilmitteln des Deutschen. Idioma B Alemany. Literatura Alemanya. Unterrichtsmaterialien Anhänge
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Stilistik. Sonderdossier zu Stilmitteln des Deutschen. Idioma B Alemany. Literatura Alemanya. Unterrichtsmaterialien Anhänge
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Stilistik. Sonderdossier zu Stilmitteln des Deutschen. Idioma B Alemany. Literatura Alemanya. Unterrichtsmaterialien Anhänge
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‘Americanism in action’ : the 1920s epic western and Hollywood historical cinema
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Adamson, Patrick. - : University of St Andrews, 2021. : The University of St Andrews, 2021
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Superstar to Superhuman: Scarlett Johansson, an ‘Ideal’ Embodiment of the Posthuman Female in Science Fiction and Media?
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Corticobasal Syndrome with Supplementary Motor Area Aphasia
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In: Intern Med (2021)
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Superstar to superhuman: Scarlett Johansson, an ‘ideal’ embodiment of the Posthuman female in science fiction and media?
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The advantage of real objects over matched pictures in infants' processing of the familiar size of objects
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In: Brain and Mind Institute Researchers' Publications (2021)
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The Cinema of Social Dreamers: Artists and Their Imaginations Return to the Caribbean
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‘Americanism in action’ : the 1920s epic western and Hollywood historical cinema ...
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From Abstract Symbols to Emotional (In-)Sights ... : An Eye Tracking Study on the Effects of Emotional Vignettes and Pictures ...
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Stilistik. Sonderdossier zu Stilmitteln des Deutschen. Idioma B Alemany. Literatura Alemanya. Unterrichtsmaterialien Anhänge
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Les émotions en politique : méthodes mixtes d’investigation des discours de défaite
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Catlla, Michel. - : Association pour la recherche qualitative (ARQ), 2020. : Érudit, 2020
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Construction du sens et de la signification des images de campagnes présidentielles de 2007 et 2012 dans la presse française
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Change, horizon, and event in Ozu's Late Spring (1949)
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Abstract:
Over the decades, the films of Yasujirō Ozu have inspired a number of contradictory responses from film critics and theorists. Initially, formal aspects of his work, which Western commentators found difficult to comprehend in relation to the thematic dimensions of the films, were often said to reflect aesthetic and philosophical principles associated with Zen Buddhism. Like the recurrence of plots that explore the transformations of the Japanese family, many formal attributes of Ozu's films were assumed to express various ideas related to traditional Japanese values. In their work on Ozu, Kristin Thompson and David Bordwell do an admirable job of debunking many clichés and misconceptions about the relationship of Ozu's work to Zen philosophy, aesthetics, and social conventions. Undoubtedly though, a metaphysical outlook emerges in Ozu's work that is neither wholly conditioned by the socialised norms of Zen and tradition, nor entirely free of them. This paper considers and analyses a claim made by Gilles Deleuze about the metaphysical orientation of Ozu's work, one which ascribes aspects of Ozu's style to a Zen conception of time. This particular argument concerns Ozu's famous still lifes, and it is my contention that through considering some aspects of Deleuze's reading of Ozu alongside Bordwell, Thompson, and Noël Burch's writing on the director, we can see what is asked of us by a film like Ozu's Late Spring (Banshun, 1949), which offers us an opportunity to rethink the relations between cinematic form, narrative, and emotion. ; Publisher PDF ; Peer reviewed
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Keyword:
Bordwel; Burch; Deleuze; Ozu; PN1993; PN1993 Motion Pictures; Thompson
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URL: https://doi.org/10.3366/film.2016.0016 http://hdl.handle.net/10023/19815
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Tras. Creación de un juego de mesa que potencie la creatividad a través de la lectura de imágenes
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