2 |
Neology and ‘verlan’ ; Le verlan et la néologie
|
|
|
|
In: Estudios Románicos; Vol. 31 (2022) ; Études Romanes; Vol. 31 (2022) ; Studi Romanici; V. 31 (2022) ; 1989-614X ; 0210-4911 (2022)
|
|
BASE
|
|
Show details
|
|
3 |
Real Rap, Does Authenticity Even Matter in Hip Hop?
|
|
|
|
In: Capstone Showcase (2021)
|
|
BASE
|
|
Show details
|
|
4 |
Quando os desvios são voluntários: vozes africanas no hip-hop português e as suas práticas linguísticas (1994-2006)
|
|
|
|
BASE
|
|
Show details
|
|
5 |
Being nomadic and overseas rappers: Construction of hybrid identity in Chinese hip-hop scene
|
|
|
|
BASE
|
|
Show details
|
|
6 |
Arabism in Arab(ic) Rap : local languages, translocal references and virtual networks
|
|
Wiedemann, Felix. - : Otto-Friedrich-Universität, 2021. : Bamberg, 2021. : "040000", 2021
|
|
Abstract:
Kumulative Dissertation, Otto-Friedrich-Universität Bamberg, 2021 ; One of the hip-hop networks that has gained influence in Arab countries since 2011 has emerged around the Arabic language and culture. This (new) "Arabism" manifests itself in various forms: The Arab(ic) rap scenes that are the subject of this study include rappers who rap in Arabic, rappers of Arab ethnicity who express themselves in other languages, and rappers who belong to local hip hop scenes in Arab countries. This study focuses on the role of Arabic language and Arab culture as a unifying element. The question of the role of Arabism in these communities serves as a starting point for the study to ask more specific questions about mechanisms of community formation and the construction of group identity. This thesis addresses the related questions at three different levels. The first level is networks between artists, collaboration, mutual musical influence, and connections to other regions and countries. The second level is language use, the role of Standard Arabic, the languages and scripts of music production and reception. The third level is intertextual references that link rap to other forms of Arabic literature and culture. Methodologically, the work relies on ethnographic and netnographic field research, active participation in the field and in social networks, interviews with artists, song and battle rap text analysis, and social network analysis. It is organized as follows: First, key theoretical concepts are explained. Ensuing is a brief overview of hip hop culture and Arab(ic) rap. Then, three case studies focusing on different aspects of Arab rap are presented before a final conclusion is drawn.
|
|
Keyword:
490; 890; Algerien; Arabisch; Hip-Hop; Libanon; Rap; Soziolinguistik
|
|
URL: https://fis.uni-bamberg.de/handle/uniba/51714 https://nbn-resolving.org/urn:nbn:de:bvb:473-irb-517149
|
|
BASE
|
|
Hide details
|
|
7 |
Violence as one of the basic concepts in hip-hop discourse ; Violence как один из опорных концептов хип-хоп дискурса
|
|
|
|
BASE
|
|
Show details
|
|
8 |
Straight from the underground : teachers of Color, Hip Hop, and the remixing of social studies
|
|
|
|
BASE
|
|
Show details
|
|
9 |
SO BITTER, SO BÖSE: SAMY DELUXE DEFINES A BLACK GERMAN IDENTITY THROUGH HIP-HOP
|
|
|
|
In: Theses and Dissertations--Modern and Classical Languages, Literature and Cultures (2021)
|
|
BASE
|
|
Show details
|
|
10 |
Cypher to Classroom: An Ethnography and Choreographic Reading on Teaching and Learning and Embodied Hip Hop Pedagogies Otherwise
|
|
|
|
BASE
|
|
Show details
|
|
11 |
Le rap de Gaza ou le difficile retour en Palestine (2003-2013)
|
|
|
|
In: Gaza inédite, Faire art, société et politique entre guerre et paix ; https://hal.archives-ouvertes.fr/hal-03089499 ; Marion Slitine; Stephanie Latte Abdallah; Abaher El-Sakka. Gaza inédite, Faire art, société et politique entre guerre et paix, Presses de l’Institut français du Proche Orient (IFPO) / Diacritiques Editions, A paraître (2020)
|
|
BASE
|
|
Show details
|
|
13 |
Assessing hip-hop discourse : Linguistic realness and styling
|
|
|
|
BASE
|
|
Show details
|
|
14 |
Assessing hip-hop discourse : Linguistic realness and styling
|
|
|
|
BASE
|
|
Show details
|
|
15 |
Indigenous Youth in Australia and Canada: A Modern Narrative of Settler/Colonial Relationships through Indigenous Rap Music
|
|
|
|
BASE
|
|
Show details
|
|
16 |
Langston Hughes. Interplay, bebop & hip hop
|
|
|
|
In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 19, Iss 1, Pp 103-118 (2020) (2020)
|
|
BASE
|
|
Show details
|
|
17 |
Sources and documents about the history of rap in Gaza ; Sources et documents de l’histoire du rap à Gaza
|
|
|
|
In: https://halshs.archives-ouvertes.fr/halshs-02378920 ; 820 p., 2019 ; http://iremam-base.cnrs.fr/gaza_rap/index.htm (2019)
|
|
BASE
|
|
Show details
|
|
18 |
'Thinking (in) verse': poetic thought as dialectics in rap and contemporary American poetry
|
|
Page, Jeremy. - : Sydney, Australia : Macquarie University, 2019
|
|
BASE
|
|
Show details
|
|
19 |
L’alternance codique dans le rap algérien et tunisien ; Code-switching in Algerian and Tunisian rap
|
|
|
|
BASE
|
|
Show details
|
|
|
|