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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...10 Hits 1 – 20 of 195 1 Walker Ave Walker, Grayson. - 2022 BASE Show details 2 Neology and ‘verlan’ ; Le verlan et la néologie Napieralski, Andrzej Jr. In: Estudios Románicos; Vol. 31 (2022) ; Études Romanes; Vol. 31 (2022) ; Studi Romanici; V. 31 (2022) ; 1989-614X ; 0210-4911 (2022) BASE Show details 3 Real Rap, Does Authenticity Even Matter in Hip Hop? Allam, Amin In: Capstone Showcase (2021) BASE Show details 4 Quando os desvios são voluntários: vozes africanas no hip-hop português e as suas práticas linguísticas (1994-2006) Mendes, Ana Rita Pacheco. - 2021 BASE Show details 5 Being nomadic and overseas rappers: Construction of hybrid identity in Chinese hip-hop scene Siyuan, Ren; Feixa, Carles. - : DINÂMIA'CET-Iscte, 2021 BASE Show details 6 Arabism in Arab(ic) Rap : local languages, translocal references and virtual networks Wiedemann, Felix. - : Otto-Friedrich-Universität, 2021. : Bamberg, 2021. : "040000", 2021 BASE Show details 7 Violence as one of the basic concepts in hip-hop discourse ; Violence как один из опорных концептов хип-хоп дискурса Ianchenko, I. M.; Янченко, Я. М.. - : ООО «Издательский Дом «Ажур», 2021 BASE Show details 8 Straight from the underground : teachers of Color, Hip Hop, and the remixing of social studies Hall, Delandrea Serita. - 2021 BASE Show details 9 SO BITTER, SO BÖSE: SAMY DELUXE DEFINES A BLACK GERMAN IDENTITY THROUGH HIP-HOP Culley, Michaela N. In: Theses and Dissertations--Modern and Classical Languages, Literature and Cultures (2021) BASE Show details 10 Cypher to Classroom: An Ethnography and Choreographic Reading on Teaching and Learning and Embodied Hip Hop Pedagogies Otherwise Le Lay, Maïko. - : eScholarship, University of California, 2020 BASE Show details 11 Le rap de Gaza ou le difficile retour en Palestine (2003-2013) Legrain, Jean-François In: Gaza inédite, Faire art, société et politique entre guerre et paix ; https://hal.archives-ouvertes.fr/hal-03089499 ; Marion Slitine; Stephanie Latte Abdallah; Abaher El-Sakka. Gaza inédite, Faire art, société et politique entre guerre et paix, Presses de l’Institut français du Proche Orient (IFPO) / Diacritiques Editions, A paraître (2020) BASE Show details 12 Estados anímicos musicales en el rap puertorriqueño ... Luján Villar, Roberto Carlos; Luján Villar, Juan David. - : Universita' degli Studi di Salerno, 2020 BASE Show details 13 Assessing hip-hop discourse : Linguistic realness and styling Werner, Valentin. - : Otto-Friedrich-Universität, 2020. : Bamberg, 2020 BASE Show details 14 Assessing hip-hop discourse : Linguistic realness and styling Werner, Valentin. - : Mouton de Gruyter, 2020. : Berlin [u.a.], 2020 BASE Show details 15 Indigenous Youth in Australia and Canada: A Modern Narrative of Settler/Colonial Relationships through Indigenous Rap Music Potskin, Jonathon. - : University of Sydney, 2020 BASE Show details 16 Langston Hughes. Interplay, bebop & hip hop Adriano Elia In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 19, Iss 1, Pp 103-118 (2020) (2020) Abstract: In Langston Hughes’s poetics, the blues assumed a cathartic role in facing adversities, taking the shape of both a declaration of sorrow as well as of a therapy helping to relieve it, often by weakening its tragic elements through irony. To this purpose, Hughes wrote poems that could reproduce the rhythms, melodies and harmonies of the blues, using the music as an accompaniment to his suggestive poetic readings. This paper addresses the interaction of poetry and music in some of Hughes’s works. In particular, we shall focus on the one hand on the issue of the interplay between poet, musicians and public, and on the other on the influence exerted by his readings on a contemporary movement such as hip hop, revealing itself both in formal terms – rhythmic and syncopated lyrics, ideal to be read aloud – and in content, encouraging an assertive ethics aimed at the development of a form of art freed from the white dominant culture. Keyword: bebop; hip hop; interplay; langston hughes; P1-1091; Philology. Linguistics; poetry URL: https://doaj.org/article/d72edb88589e40a4884a1ec6dcfa653f https://doi.org/10.7358/ling-2020-001-elia BASE Hide details 17 Sources and documents about the history of rap in Gaza ; Sources et documents de l’histoire du rap à Gaza Legrain, Jean-François. - : HAL CCSD, 2019 In: https://halshs.archives-ouvertes.fr/halshs-02378920 ; 820 p., 2019 ; http://iremam-base.cnrs.fr/gaza_rap/index.htm (2019) BASE Show details 18 'Thinking (in) verse': poetic thought as dialectics in rap and contemporary American poetry Page, Jeremy. - : Sydney, Australia : Macquarie University, 2019 BASE Show details 19 L’alternance codique dans le rap algérien et tunisien ; Code-switching in Algerian and Tunisian rap Wiedemann, Felix. - : CNRS-Editions, 2019. : Paris, 2019 BASE Show details 20 Remixing Battle Rap and Arabic Poetic Battling Wiedemann, Felix. - : opus, 2019. : Bamberg, 2019 BASE Show details Page: 1 2 3 4 5...10

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