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2386-8260 13268 Itamar (1)
Apollinaire Sub-Saharan music results from the spoken language / instrumental language relation (1)
UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS (1)
an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Word (1)
contextual and expressive parameters that underlie (1)
determine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 164 (1)
directed by an oral culture. In this culture (1)
or is used as a true meta-language copied on the articulated and usual language used every day. Here (1)
revista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka (1)
the musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technical (1)
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Du verbe instrumental dans la musique subsaharienne
Anakesa Kululuka, Apollinaire
In: Anakesa Kululuka, Apollinaire. Du verbe instrumental dans la musique subsaharienne. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 145-164 (2021)
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