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“Haunted Voice / Haunting Voices: It’s All a Matter of Archives and Heritage—Jack Kerouac and His Legend”
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In: MLA 2022 Convention ; https://hal.archives-ouvertes.fr/hal-03607025 ; MLA 2022 Convention, Jan 2022, Washington, United States ; https://mla.confex.com/mla/2022/meetingapp.cgi/Home/0 (2022)
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“[A]n Exterior Air of Pilgrimage”: The Resilience of Pilgrimage Ecopoetics and Slow Travel from Chaucer’s The Canterbury Tales to Jack Kerouac’s On the Road
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In: Humanities, 2020, Vol. 9, No. 4, Article 117. (2021)
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Jack Kerouac’s French, American, and Quebecois Receptions: From Deterritorialization to Reterritorialization
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In: Franco-American Centre Franco-Américain Faculty Scholarship (2018)
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Nervous Aesthetics: Cognitive Science, Literary Criticism and the Modern Novel
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Nervous Aesthetics: Cognitive Science, Literary Criticism and the Modern Novel
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Nervous Aesthetics: Cognitive Science, Literary Criticism and the Modern Novel ...
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"“This is the End”. Big Sur de Jack Kerouac, ou la frontière de l’errance"
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In: San Francisco, à l’ouest d’Éden ; https://hal.archives-ouvertes.fr/hal-03452507 ; Sophie Vallas et al. San Francisco, à l’ouest d’Éden, Presses universitaires de Provence, pp.165-176, 2012, 9791036561184. ⟨10.4000/books.pup.21674⟩ ; http://books.openedition.org/pup/21674 (2012)
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Constructions of Identity and Otherness in Jack Kerouac's Prose
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Signing the blues : toward a theoretical model based on the intertextuality of psycholinguistic metonymy and jazz phraseology for reading the texts of Jack Kerouac and Langston Hughes
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In: Virtual Press (1994)
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