| 2 |
Using visual feedback to tune the second vocal tract resonance for singing in the high soprano range
|
|
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Verbatim Theater: Prompting Reflection and Discussion about Healthcare Culture as a Means of Promoting Culture Change
|
|
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Green as the Sky is Blue - A story of translation
|
|
Venter, Eben. - : The University of Queensland, School of Communication and Arts, 2020
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Native language influence on brass instrument performance: An application of generalized additive mixed models (GAMMs) to midsagittal ultrasound images of the tongue
|
|
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Method Writing: a creative methodology for enabling post-traumatic growth
|
|
|
|
BASE
|
|
Show details
|
|
|
| 7 |
How we talk about the work is the work: Performing critical writing
|
|
Schmidt, T. - : Taylor & Francis (Routledge), 2018
|
|
BASE
|
|
Show details
|
|
|
| 8 |
An emotional, physical and humanistic response to performed data
|
|
Crimmins, G. - : Australian Association of Writing Programs, 2017
|
|
BASE
|
|
Show details
|
|
|
| 9 |
The role of music participation in positive health and wellbeing outcomes for migrant populations: A systematic review
|
|
|
|
BASE
|
|
Show details
|
|
|
| 10 |
Iterative multimodality: An exploration of approaches to transmedia writing
|
|
|
|
BASE
|
|
Show details
|
|
|
| 12 |
This phantom gibbet: writing through/as melancholy
|
|
Watkins, R. - : Australian Association of Writing Programs, 2016
|
|
BASE
|
|
Show details
|
|
|
| 13 |
'Our Red Sands dug and sifted': Sovereignty and the act of being
|
|
Birch, Anthony. - : Australian Centre For Contemporary Art (ACCA), 2016
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Short and long term outcomes for culturally and linguistically diverse (CALD) and at-risk communities in participatory music programs: A systematic review
|
|
|
|
BASE
|
|
Show details
|
|
|
| 15 |
Some initial findings regarding language influence on playing brass instruments
|
|
|
|
BASE
|
|
Show details
|
|
|
| 16 |
The text doesn’t stop at the end of the page (or does it?) : an exploration of how the novel form responds to digital interactivity through the cross-sited novel ‘Once in a lifetime’
|
|
|
|
BASE
|
|
Show details
|
|
|
| 17 |
The History of Australian Haiku and the Emergence of a Local Accent
|
|
|
|
BASE
|
|
Show details
|
|
|
| 20 |
A Guide to Writing Argumentative Essays
|
|
Nash, G. - : John Wiley & Sons Australia, Limited, 2011
|
|
BASE
|
|
Show details
|
|
|
|
|
