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L'Amérique des temps profonds : jalons pour une géo-logique des récits, de John McPhee (Annals of the Former World, 1998) à Herman Melvillle (Pierre, 1852)
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In: EISSN: 1765-2766 ; Transatlantica. Revue d'études américaines/American Studies Journal ; https://hal.parisnanterre.fr//hal-01640417 ; Transatlantica. Revue d'études américaines/American Studies Journal, Association Française d’Études Américaines, 2015 (2015)
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‘An ever-pacing thought’: the dangers of the symbol in Moby Dick, by Herman Melville ; ‘Um pensamento insone’: os perigos do símbolo em Moby Dick, de Herman Melville
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In: Acta Scientiarum. Language and Culture; v. 37, n. 1 (2015); 49-56 ; 1983-4683 ; 1983-4675 (2014)
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Transnational Translation: Foreign Language in the Travel Writing of Cooper, Melville, and Twain ...
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Ishmael's call, Ahab's pen ; orality and literacy in Moby-Dick
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Moral Performances: Melodrama and Nineteenth-Century American Literature
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In: Dissertations (2011)
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Dialecticism and 'negativity' in Melville, Kafka and Blanchot : a literature and language of conflict
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Wright, Andrew James. - : The University of Sydney, 2009. : Department of Italian Studies, 2009. : Faculty of Arts, 2009
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Genealogies of convention: Reading the poetry of Sarah Piatt and Herman Melville in the nineteenth-century American culture of anthologies.
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Chronometricals and horologicals in relation to Isabel's early life : the world of language and the world of sound in Herman Melville's Pierre, or, the Ambiguities / Katsuya Izumi
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Contraintes syntaxiques et liberté stylistique : le déplacement des éléments dans la phrase
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Between the Devil and The Deep in Melville's "Benito Cereno" and The Confidence-Man
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In: English and Linguistics Faculty Presentations (2002)
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The subject and the truth of the Other: The dialectic of the Lacanian subject in Herman Melville's "Bartleby, The Scrivener".
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Expanding the West: Melville's Devilish Jesting in The Confidence-Man
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In: English and Linguistics Faculty Presentations (1997)
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Games of circles : dialogic irony in Carlyle's Sartor resartus, Melville's Moby Dick, and Thoreau's Walden
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