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1
Perry Miller on Melville, and Walter J. Ong's Thought
Farrell, Thomas. - : This version was not previously published., 2021
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2
L'Amérique des temps profonds : jalons pour une géo-logique des récits, de John McPhee (Annals of the Former World, 1998) à Herman Melvillle (Pierre, 1852)
In: EISSN: 1765-2766 ; Transatlantica. Revue d'études américaines/American Studies Journal ; https://hal.parisnanterre.fr//hal-01640417 ; Transatlantica. Revue d'études américaines/American Studies Journal, Association Française d’Études Américaines, 2015 (2015)
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3
‘An ever-pacing thought’: the dangers of the symbol in Moby Dick, by Herman Melville ; ‘Um pensamento insone’: os perigos do símbolo em Moby Dick, de Herman Melville
In: Acta Scientiarum. Language and Culture; v. 37, n. 1 (2015); 49-56 ; 1983-4683 ; 1983-4675 (2014)
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4
Transnational Translation: Foreign Language in the Travel Writing of Cooper, Melville, and Twain ...
Unkn Unknown. - : Temple University. Libraries, 2013
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5
Ishmael's call, Ahab's pen ; orality and literacy in Moby-Dick
Patrick, Emily Estheranne. - : uga, 2012
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6
Moral Performances: Melodrama and Nineteenth-Century American Literature
In: Dissertations (2011)
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7
Dialecticism and 'negativity' in Melville, Kafka and Blanchot : a literature and language of conflict
Wright, Andrew James. - : The University of Sydney, 2009. : Department of Italian Studies, 2009. : Faculty of Arts, 2009
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8
Sociolinguistic-ethnohistorical observations on Maritime Polynesian Pidgin in Herman Melville's two major semi-autobiographical novels of the Pacific
In: Journal of Pidgin and Creole languages. - Amsterdam : Benjamins 22 (2007) 2, 231-261
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9
Genealogies of convention: Reading the poetry of Sarah Piatt and Herman Melville in the nineteenth-century American culture of anthologies.
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10
Chronometricals and horologicals in relation to Isabel's early life : the world of language and the world of sound in Herman Melville's Pierre, or, the Ambiguities / Katsuya Izumi
Izumi, Katsuya. - : Central Connecticut State University, 2003
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11
Contraintes syntaxiques et liberté stylistique : le déplacement des éléments dans la phrase
Oustinoff, Michaël (Hrsg.); Raguet-Bouvart, Christine (Hrsg.); Berretti, Jany (Mitarb.). - Paris : Presses de la Sorbonne Nouvelle, 2002
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12
Between the Devil and The Deep in Melville's "Benito Cereno" and The Confidence-Man
In: English and Linguistics Faculty Presentations (2002)
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13
Colonialism and language in Herman Melville's "Typee"
In: Zeitschrift für Anglistik und Amerikanistik. - Berlin [u.a.] : De Gruyter 49 (2001) 2, 144-158
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14
The subject and the truth of the Other: The dialectic of the Lacanian subject in Herman Melville's "Bartleby, The Scrivener".
Ross, Virginia Elaine.. - : Northern Illinois University., 2000
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15
From "Mocha Dick" to "Moby Dick" : fishing for clues to Moby's name and color
In: Names. - Abingdon, OX : Taylor & Francis 46 (1998) 4, 263-276
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16
Linguistics
Abraham, Werner (Mitarb.); Adler, Hans (Mitarb.); Büky, Béla (Mitarb.)...
In: Semiotics around the world ; 1. - Berlin [u.a.] : Mouton de Gruyter (1997), 169-274
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17
"What a candidate for an archbishoprick" : manmaking in "Moby-Dick"
In: From runes to romance. - Uppsala : Swedish Science Press (1997), 245-257
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18
Melville, Purchas, and some names for "whale" in "Moby Dick"
In: American speech. - Durham, NC : Duke Univ. Press 72 (1997) 3, 332-336
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19
Expanding the West: Melville's Devilish Jesting in The Confidence-Man
In: English and Linguistics Faculty Presentations (1997)
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20
Games of circles : dialogic irony in Carlyle's Sartor resartus, Melville's Moby Dick, and Thoreau's Walden
Chodat, Robert. - : McGill University, 1995
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