| 1 |
Completing the first assignment: A case study of the writing processes of a successful and an unsuccessful student
|
|
|
|
In: Research outputs 2014 to 2021 (2021)
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Mask Fealty: Developing A Feature-Length Screenplay
|
|
|
|
In: Embargoed Honors Theses, University of Nebraska-Lincoln (2021)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
An Acquaintance of Interest
|
|
|
|
In: Senior Projects Spring 2019 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 5 |
An Acquaintance of Interest
|
|
|
|
In: Senior Projects Spring 2019 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Comedy writing as method: Reflections on screenwriting in creative practice research
|
|
|
|
In: Batty, C, Taylor, S, (2019). Comedy writing as method: Reflections on screenwriting in creative practice research. New Writing, Vol. 16, No. 3, p. 374-392 http://dx.doi.org/10.1080/14790726.2018.1544260 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 8 |
Lighting the Way: Pedagogy, Creativity and the Unconscious
|
|
Greenwood, Nell. - : The University of Sydney, 2018. : Faculty of Arts and Social Sciences, Sydney School of Education and Social Work, 2018
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Cinema-skopos: strategic layering and kaleidoscopic functionality in screenplay translation
|
|
|
|
In: ISSN: 1148-8158 ; EISSN: 2109-943X ; Palimpsestes. Revue de traduction ; https://hal.univ-lille.fr/hal-01555779 ; Palimpsestes. Revue de traduction, Presses Sorbonne Nouvelle, 2017, Les sens dans la traduction du texte filmique, pp.15-46. ⟨10.4000/palimpsestes.2393⟩ (2017)
|
|
BASE
|
|
Show details
|
|
|
| 10 |
Voice in Screenwriting: Discovering/Recovering an Australian Voice
|
|
|
|
In: Theses: Doctorates and Masters (2017)
|
|
BASE
|
|
Show details
|
|
|
| 11 |
A Theoretical Application of Metaphor Research to the Film Industry
|
|
|
|
In: Undergraduate Honors Theses (2017)
|
|
BASE
|
|
Show details
|
|
|
| 12 |
Between the Cracks: Theme, Screenwriting and Visual Structure
|
|
|
|
BASE
|
|
Show details
|
|
|
| 13 |
Rethinking genre theory for screenwriting practice: using Mikhail Bakhtin's theory of discourse
|
|
Weaving, Simon. - : Australian Screen Production Education and Research Association (ASPERA), 2016
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Early screenwriting teachers 1910-1922: Origins, contribution and legacy
|
|
|
|
BASE
|
|
Show details
|
|
|
| 15 |
The words that make pictures move: an implicit theory of viewer empathy in the tacit knowledge of expert screenwriters
|
|
|
|
BASE
|
|
Show details
|
|
|
| 16 |
On the same page: an exploration of the co-screenwriting experience
|
|
|
|
BASE
|
|
Show details
|
|
|
| 17 |
Prefabricated orality : a challenge in audiovisual translation
|
|
|
|
BASE
|
|
Show details
|
|
|
| 18 |
How Droll : A Screenplay Based on a Feminist Perspective of Film
|
|
|
|
In: Theses : Honours (2008)
|
|
BASE
|
|
Show details
|
|
|
| 19 |
Recognising the screenwriter: Agency and authorship in adaptation
|
|
|
|
In: Theses : Honours (2005)
|
|
BASE
|
|
Show details
|
|
|
|
|
