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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 14 of 14 1 The Engagement Imperative: Experiences of Communication Practitioners' Brand Work in the Music Industry Edlom, Jessica In: Media and Communication ; 10 ; 1 ; 66-76 ; New Forms of Media Work and Its Organizational and Institutional Conditions (2022) BASE Show details 2 Devenir entrepreneur culturel en situation linguistique minoritaire : une perspective de la pratique Bissonnette, Joëlle. - : Editions EMS – In Quarto SARL, 2020. : Érudit, 2020 BASE Show details 3 The dissonant choir of a tradition: Itamar Assumpção and culture in Lira Paulistana Theater ; O coro dissonante de uma tradição: Itamar Assumpção e a cultura no Teatro Lira Paulistana Machado, Silas Rodrigues In: Raído; v. 14, n. 34 (2020); 151-162 ; 1984-4018 (2020) BASE Show details 4 The maintenance of macro-vocabularies in an industry. The case of the France's recorded music industry Blanc, Antoine; Huault, Isabelle. - 2019 BASE Show details 5 Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China Kielman, Adam Joseph. - 2016 BASE Show details 6 Garifuna Popular Music “Renewed”: Authenticity, Tradition, and Belonging in Garifuna World Music Frishkey, Amy Lynn. - : eScholarship, University of California, 2016 In: Frishkey, Amy Lynn. (2016). Garifuna Popular Music “Renewed”: Authenticity, Tradition, and Belonging in Garifuna World Music. UCLA: Ethnomusicology 0472. Retrieved from: http://www.escholarship.org/uc/item/6c0748fg (2016) BASE Show details 7 Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China ... Kielman, Adam Joseph. - : Columbia University, 2016 BASE Show details 8 De l’industrie musicale à la rhétorique du « service ». YouTube : une description critique Gayraud, Agnès; Heuguet, Guillaume In: Communication & langages, N 184, 2, 2015-06-01, pp.101-119 (2015) BASE Show details 9 L’industrie des auteurs : éléments d’une théorie critique de la propriété musicale Langlais, Pierre-Carl In: Communication & langages, N 184, 2, 2015-06-01, pp.79-99 (2015) BASE Show details 10 O ensino musical na perspectiva da poética, da práxis e da teoria - processos de formação alternativos à indústria da cultura ; - Camargo, Cristina Moura Emboaba da Costa Julião de. - : Biblioteca Digitais de Teses e Dissertações da USP, 2014 BASE Show details 11 Interpreting hegemonic themes in the electronic forró ; Interpretando temáticas hegemônicas no forró eletrônico Costa, Jean Henrique In: Acta Scientiarum. Language and Culture; v. 36, n. 1 (2014); 93-102 ; 1983-4683 ; 1983-4675 (2014) BASE Show details 12 The Political Economy of Financially Successful Independent Hip Hop Artists Ostrove, Geoffrey. - : University of Oregon, 2012 BASE Show details 13 Freedom, Music and the RIAA: How the Recording Industry Association of America Shapes Culture by De-politicizing Music Arditi, David Michael. - : Virginia Tech, 2007 BASE Show details 14 The "People's" Music Store. A new and popular Song. ; Dis am an invidation to de Ladies one and all [first line] ; And who thar! And who thar! Dat's knocking at de door [first line of chorus] Edw. R. Johnston (composer). - : The "People's" Music Store, No. 6 Hart's Building, Sixth & Chesnut St., 1848 BASE Show details

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