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O bantuísmo `marimba': da percussão à feitiçaria // The bantuism `marimba': from percussion to witchcraft ...
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O bantuísmo `marimba': da percussão à feitiçaria // The bantuism `marimba': from percussion to witchcraft ...
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O bantuísmo `marimba': da percussão à feitiçaria // The bantuism `marimba': from percussion to witchcraft ...
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Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction
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In: ISSN: 1073-0516 ; EISSN: 1557-7325 ; ACM Transactions on Computer-Human Interaction ; https://hal.sorbonne-universite.fr/hal-01672238 ; ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2016, 23 (3), pp.17. ⟨10.1145/2897513⟩ (2016)
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Gestural control of voice synthesis. The Cantor Digitalis and Digitartic instruments ; Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic
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In: ISSN: 0765-0019 ; EISSN: 1958-5608 ; Traitement du Signal ; https://hal.archives-ouvertes.fr/hal-01679397 ; Traitement du Signal, Lavoisier, 2015, 32 (4), pp.417-442. ⟨10.3166/ts.32.417-442⟩ ; http://ts.revuesonline.com/ (2015)
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Contrôle gestuel de la synthèse vocale - Les instruments Cantor Digitalis et Digitartic ; Gestural control of voice synthesis. The cantor digitartic instruments
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In: Traitement du signal [Trait. Signal], ISSN 0765-0019, 2015, 32, 4, p. 417-442 (2015)
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Gestural control of singing voice synthesis by rules and musical applications ; Synthèse par règles de la voix chantée contrôlée par le geste et applications musicales
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In: https://tel.archives-ouvertes.fr/tel-00926980 ; Son [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. Français (2013)
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What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology
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In: What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology ; https://hal.archives-ouvertes.fr/hal-00430397 ; What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology, Oct 2009, Paris, France (2009)
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La méthode de serpent de Jean-Baptiste Métoyen : héritages et évolutions ; La méthode de serpent de Jean-Baptiste Métoyen : héritages et évolutions: préface bilingue (français / anglais)
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In: Jean-Baptiste Métoyen, Ouvrage complet pour l'Éducation du le Serpent d'après les manuscrits conservés à la Bibliothèque nationale de France ; https://halshs.archives-ouvertes.fr/halshs-00502790 ; Benny Sluchin. Jean-Baptiste Métoyen, Ouvrage complet pour l'Éducation du le Serpent d'après les manuscrits conservés à la Bibliothèque nationale de France, Éditions Musicales Européennes, (Brass Urtext), vii-xii (version française) et p. xxv-xxx (version anglaise)., 2005 (2005)
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Teachers' intention to use the Internet : an application of the theory of planned behavior using structural equation modeling
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„Weil ich ein Mädchen bin ...". Symbolverständnis, Gebrauch und Funktionalisierung von Rockmusikinstrumenten im Kontext der Darstellung von Musikerinnen und Musikern in aktuellen Videoclips ...
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„Weil ich ein Mädchen bin .". Symbolverständnis, Gebrauch und Funktionalisierung von Rockmusikinstrumenten im Kontext der Darstellung von Musikerinnen und Musikern in aktuellen Videoclips
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In: Kaiser, Hermann J. [Hrsg.]: Geschlechtsspezifische Aspekte des Musiklernens. Essen : Die Blaue Eule 1996, S. 45-72. - (Musikpädagogische Forschung; 17) (1996)
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A comprehensive dictionary of organ stops, English and foreign, ancient and modern : practical, theoretical, historical, aesthetic, etymological, phonetic /
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A comprehensive dictionary of organ stops : English and foreign, ancient and modern, practical, theoretical, historical, aesthetic, etymological, phonetic /
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A comprehensive dictionary of organ stops : English and foreign, ancient and modern, practical, theoretical, historical, aesthetic, etymological, phonetic /
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A comprehensive dictionary of organ stops, English and foreign, and ancient and modern : practical, theoretical, historical, œsthetic, etymological, phonetic /
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The "People's" Music Store. A new and popular Song. ; Dis am an invidation to de Ladies one and all [first line] ; And who thar! And who thar! Dat's knocking at de door [first line of chorus]
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