| 1 |
The Uncanny Pleasures of Autotranslation
|
|
|
|
In: Coolabah; No 30 (2021): Translation, Poetry and Creative Practice; 103-119 ; 1988-5946 (2021)
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Full of Sound and Fury, Signifying Nothing: The Name-of-the-Father in King Lear ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Book Review: 'Creative writing and education', by Graeme Harper, 2015
|
|
|
|
In: Bukker Tillibul: The Online Journal of Writing and Practice-led Research, Vol. 10 (2016) (2016)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Eventful metaphors: the event, the subject and writing
|
|
|
|
In: The event, the subject, and the artwork. Into the twenty-first century / Ann McCulloch, R. A. Goodrich (eds.), pp. 88-101 (2015)
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Creative writing and theory: theory without credentials
|
|
|
|
In: Research methods in creative writing / Jeri Kroll and Graeme Harper (eds.), Chapter 8, pp. 175-200 (2013)
|
|
BASE
|
|
Show details
|
|
|
| 7 |
Strange bedfellows: theory and the muse
|
|
|
|
In: Spectrums and spaces of writing / Phil Fitzsimmons, Zoe Charalambous and Susan L. Wiesner (eds.), Chapter 3, pp. 89-100 (2013)
|
|
BASE
|
|
Show details
|
|
|
| 8 |
Unfettered flights of thought: Between madness and creativity
|
|
|
|
In: Axon: Creative Explorations, Vol. 3, no. 1 (2013) (2013)
|
|
BASE
|
|
Show details
|
|
|
| 10 |
The mind that writes itself
|
|
|
|
In: Key thinkers, Key theories: The contribution of theory to ALL practice Symposium, Lilydale, Victoria, Australia, 22-23 November 2012 (2012)
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Beyond the mirror: on experiential knowing as research mode in creative writing
|
|
|
|
In: TEXT Special Issue Number 14: Beyond practice-led research, Vol. 16, no. 2 (Oct 2012) (2012)
|
|
BASE
|
|
Show details
|
|
|
| 12 |
The creativity market: creative writing in the 21st century?
|
|
|
|
BASE
|
|
Show details
|
|
|
| 13 |
Banking on creativity: my brilliant? career
|
|
|
|
In: The creativity market: creative writing in the 21st century / Dominique Hecq (ed.), Chapter 2, pp. 24-39 (2012)
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Sunscapes: subjectivity, creativity and the work of metaphor
|
|
|
|
In: Encounters: place | situation | context, the 17th Annual Australasian Association of Writing Programs (AAWP) Conference, Geelong, Victoria, Australia, 25-27 November 2012 / Cassandra Atherton, Rhonda Dredge, et al. (eds.) (2012)
|
|
BASE
|
|
Show details
|
|
|
| 15 |
Towards a theory without credentials
|
|
|
|
In: Paradigms, power, poetics, the 1st Global Conference on Writing, Prague, Czech Republic, 12-14 November 2011 (2011)
|
|
BASE
|
|
Show details
|
|
|
| 16 |
Alabaster: the grain of the voice and semblance
|
|
|
|
In: In/Stead, no. 3 (2010) (2010)
|
|
BASE
|
|
Show details
|
|
|
| 17 |
Narrative interactive pedagogy for creative writing supervision after globalisation
|
|
|
|
In: The International Journal of the Book, Vol. 6, no. 1 (Dec 2009), pp. 101-108 (2009)
|
|
BASE
|
|
Show details
|
|
|
| 18 |
Out of bounds
|
|
|
|
In: Out of bounds: art, faith and religiosity, Monash University, Melbourne, Victoria, Australia, 20-23 August 2008 (2008)
|
|
BASE
|
|
Show details
|
|
|
| 19 |
Thirst
|
|
|
|
In: Presented at Drought, a Melbourne Writers Festival exhibition, Melbourne, Australia, 22 - 31 August 2008 (2008)
|
|
BASE
|
|
Show details
|
|
|
| 20 |
Narrative interactive pedagogy for creative writing supervision after globalisation
|
|
|
|
In: 6th International Conference on the Book, Washington, District of Columbia, United States, 25-27 October 2008 (2008)
|
|
BASE
|
|
Show details
|
|
|
|
|
