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Uma arte do ser: relações entre palavra e natureza na poesia de Sophia de Mello Breyner Andresen ; An art of being: relationships between word and nature in Sophia de Mello Breyner Andresen’s poetry
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Castex, Murillo Hochuli. - : Universidade Tecnológica Federal do Paraná, 2022. : Curitiba, 2022. : Brasil, 2022. : Programa de Pós-Graduação em Estudos de Linguagens, 2022. : UTFPR, 2022
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“A Secret Transaction”: Translating and Betraying the Real in Virginia Woolf’s Fiction ; L'Écriture au secret. Traduction et trahison du réel chez Virginia Woolf
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In: https://tel.archives-ouvertes.fr/tel-02649114 ; Littératures. Sorbonne Université, 2019. Français (2019)
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Entre perception et praxis : à quoi la notion d’affordance en discours peut-elle bien pourvoir ?
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In: Corela, Vol 28 (2019) (2019)
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Christian Metz and the mediatization
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In: ESSACHESS - Journal for Communication Studies ; 10 ; 1 ; 239-253 ; Rhetoric and Peace at Crossroads: Public and Civic Discourse, Culture and Communication Perspectives (2018)
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« Ecouter-voir-sentir-lire Katalin Molnár et Raymond Federman : le corps à l’épreuve »
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In: ISSN: 1778-3887 ; Trans : Revue de Littérature Générale et Comparée ; https://hal-univ-paris3.archives-ouvertes.fr/hal-01419432 ; Trans : Revue de Littérature Générale et Comparée, Université Sorbonne Nouvelle, 2017, L'illisible (2017)
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On n’entend que ce qu’on écoute : l’expérience sonore et musicale chez Henri Michaux, entre écriture et improvisation
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| 8 |
L'écriture vive: Woolf, Sarraute, une autre phénoménologie de la perception
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Toth, Naomi. - : HAL CCSD, 2016. : Classiques Garnier, 2016
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In: https://hal.parisnanterre.fr//hal-01640364 ; Classiques Garnier, 2016, Perspectives comparatistes ; Série Modernités et avant-gardes, 978-2-406-06022-2 978-2-406-06023-9. ⟨10.15122/isbn.978-2-406-06024-6⟩ (2016)
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Meme: intertextualidades e apropriações na Internet
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In: Revista Observatório ; 2 ; 1 ; 277 (2016)
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"The Energy of Space" : André du Bouchet : Borrowing elements from painting ; "L'énergie de l'espace" : André du Bouchet : Reprendre à la peinture son bien.
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In: https://tel.archives-ouvertes.fr/tel-01952196 ; Littératures. Université Sorbonne Paris Cité, 2015. Français. ⟨NNT : 2015USPCA128⟩ (2015)
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| 11 |
An otherness inside us: complicity & transcendence from Whitman to Wright ...
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Grace, Stewart R.. - : University of Southern California Digital Library (USC.DL), 2015
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| 12 |
Foundational Ambiguities: Metaphor, Translation, and Intertextuality in Hans Blumenberg's Metaphorology.
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| 13 |
Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis
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| 14 |
Science in contemporary British theatre: a conceptual approach
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In: ISSN: 0308-0188 ; Interdisciplinary Science Reviews ; https://hal.archives-ouvertes.fr/hal-01292795 ; Interdisciplinary Science Reviews, Maney Publishing, 2013, New Directions in Theatre and Science, 4 (38), ⟨10.1179/0308018813Z.00000000060⟩ ; http://explore.tandfonline.com/page/ah/maney-publishing-journals (2013)
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| 15 |
Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism
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In: Electronic Thesis and Dissertation Repository (2013)
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| 16 |
Abiba DIARRASSOUBA "SEMIOTIC READING OF THE ''POWER'' IN MISTREAT OF AMADOU KONE" ; Abiba DIARRASSOUBA « LECTURE SEMIOTIQUE DU ''POUVOIR'' DANS TRAITES DE AMADOU KONE »
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In: Journées thématiques (cognitions, comportements, Langages), Perception ; https://halshs.archives-ouvertes.fr/halshs-01221417 ; Journées thématiques (cognitions, comportements, Langages), Perception, Feb 2012, Poitiers, France (2012)
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| 17 |
Sitting-There: Embodied Perception, Kinesthetic Empathy, and Reading Pain in Dance Spectatorship
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In: Doctoral Dissertations 1896 - February 2014 (2012)
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| 18 |
Refiguring the Wordscape: Merleau-Ponty, Beckett and the Body
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In: Dennis, Amanda Margaret. (2011). Refiguring the Wordscape: Merleau-Ponty, Beckett and the Body. UC Berkeley: Rhetoric. Retrieved from: http://www.escholarship.org/uc/item/6wd4z6f3 (2011)
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| 19 |
Refiguring the Wordscape: Merleau-Ponty, Beckett and the Body
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| 20 |
Not To Repeat History: Racialization and Combinatory Textuality in Contemporary Asian American and African American Experimental Writing
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