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Professor Ecos Gespensterkunde: Literaturessay zu "Der ewige Faschismus" von Umberto Eco
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In: Soziopolis: Gesellschaft beobachten (2022)
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Skandalisieren, stereotypisieren, normalisieren : Diskurspraktiken der Neuen Rechten aus sprach- und literaturwissenschaftlicher Perspektive
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UB Frankfurt Linguistik
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Da concomitância entre direitos humanos e direito: sobre a base fundacional da democracia como um sistema público de direito com caráter antifascista
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In: Griot: Revista de Filosofia ; 21 ; 1 ; 379-409 (2021)
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An “empire” without imperialism? A study of the Soviet-colonial dialectic from the October Revolution to its defeat
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Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53) ...
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Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53)
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Experiments in Theory: The Transatlantic Development of Social Science and Critical Theory, 1930-1950
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Verdad y muerte. Filosofía frente a cosmovisión en el primer Heidegger (1919-1929)
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In: TDX (Tesis Doctorals en Xarxa) (2019)
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Anti-Fascist Aesthetics from Weimar to MoMA: Siegfried Kracauer & the Promise of Abstraction for Critical Theory
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In: Graduate Theses and Dissertations (2019)
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The art dialectic in Passolini’s Salò or the the 120 days of Sodom ; La dialéctica del arte en Salò o los 120 días de Sodoma de Pier Paolo Pasolini
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In: Matèria. Revista internacional d'Art; No 14-15 (2019); 219-242 ; 2385-3387 ; 1579-2641 (2019)
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Verdad y muerte. Filosofía frente a cosmovisión en el primer Heidegger (1919-1929)
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Diskursanalyse von Benito Mussolinis Reden in den Jahren 1918-1943 anhand ausgewählter Beispiele
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Die puristischen Bestrebungen in der Sprachpolitik des italienischen Faschismus
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Developing Middlebrow Culture in Fascist Italy: The Case of Rizzoli’s Illustrated Magazines
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Braiding Critical Theory: Frankfurt School and Indigenous Critical Traditions
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Show me What Democracy Looks Like: Brechtian Dramaturgy and the Modern Protest Theater
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In: Gardiner, Victoria. (2018). Show me What Democracy Looks Like: Brechtian Dramaturgy and the Modern Protest Theater. UC Santa Cruz: Theater Arts. Retrieved from: http://www.escholarship.org/uc/item/1x68c2rw (2018)
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‘Prochainement: Arizona Jim contre Cagoulard’: framing the future of the Front populaire in Jean Renoir’s Le Crime de Monsieur Lange (1936)
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In: Articles (2018)
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