1 |
Perfect disguises: Building an evidence base for improvisational drama techniques
|
|
|
|
BASE
|
|
Show details
|
|
2 |
(No) drama with grammar: A case study of a performative approach to teaching English conditional clauses to young adolescent learners
|
|
|
|
BASE
|
|
Show details
|
|
3 |
Developing Performative Competence and Teacher Artistry: A Pedagogical Imperative in the Multicultural Classroom
|
|
|
|
In: L2 Journal, vol 12, iss 3 (2020)
|
|
BASE
|
|
Show details
|
|
4 |
The meaning (s) of practice: Puzzling through performative language practice with refugee learners.
|
|
|
|
BASE
|
|
Show details
|
|
5 |
Getting them back to class: A project to engage refugee children in school using drama pedagogy
|
|
|
|
BASE
|
|
Show details
|
|
7 |
The social art of language acquisition: A theatre approach in language learning for migrants and its digitization in the Corona lockdown
|
|
|
|
BASE
|
|
Show details
|
|
8 |
Multimodal scaffolding teaching: Role-taking or role-creating in an English as a Foreign Language (EFL) oral communication class in Japan
|
|
Nfor, Samuel. - : Department of German, University College Cork, 2020
|
|
BASE
|
|
Show details
|
|
9 |
‘The only learning I’m going to get’: Students with intellectual disabilities learning a second language through performative pedagogy
|
|
|
|
BASE
|
|
Show details
|
|
10 |
Der Effekt der Dramagrammatik im Anfängerunterricht: Eine Pilotstudie für Tschechisch als Fremdsprache
|
|
Bučková, Aneta. - : Department of German, University College Cork, 2019
|
|
BASE
|
|
Show details
|
|
11 |
Composing as a Powerful 21st Century Author Advocating for Social Change
|
|
|
|
BASE
|
|
Show details
|
|
|
|