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The subtitling of french cinema in China : challenges, translation of meaning, constraints ; Le sous-titrage du cinéma français en Chine : enjeux, traduction du sens, contraintes
Wang, Liyun. - : HAL CCSD, 2018
In: https://tel.archives-ouvertes.fr/tel-02147452 ; Linguistique. Université Sorbonne Paris Cité; Université des études internationales de Shanghai, 2018. Français. ⟨NNT : 2018USPCA054⟩ (2018)
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2
The Deliberate Non-Subtitling of L3s in Breaking Bad: A Reception Study
Krämer, Mathias; Duran Eppler, Eva. - : Les Presses de l’Université de Montréal, 2018. : Érudit, 2018
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3
As condições de acessibilidade à informação e a participação política da população S/surda portuguesa
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4
The effects of TV series on pragmatic development
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5
The acquisition of formulaic language through subtitles: a study across genres
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6
The impact of text segmentation on subtitle reading
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7
Serveis d'accessibilitat sensorial a les televisions que emeten en català : situació actual i propostes de futur
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8
Anàlisi dels referents culturals de la pel·lícula "Ocho apellidos vascos" en la versió subtitulada a l'anglès
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9
Conducting experimental research in audiovisual translation (AVT) : a position paper
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10
Line breaks in subtitling : an eye tracking study on viewer preferences
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11
Making immersive media environments accessible : the ImAc Project
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12
Multilingualism in Monsoon Wedding : how language variation and cultural references were transferred to La boda del monzón
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13
Rendering multilingualism through audio subtitles : shaping a categorisation for aural strategies
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14
Subtitling Harry Potter’s fantastic world: linguistic and cultural transfer from britain to China in a subtitled children’s film
In: Transletters. International Journal of Translation and Interpreting 2, 89-113 (2018) (2018)
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15
Historical subtitling in the chinese context: a case study of archaisms
In: Transletters. International Journal of Translation and Interpreting 2, 205-223 (2018) (2018)
Abstract: Historical films in China often contain an obsolete speech register, a major feature of which is archaism. This paper aims to explore historical subtitling in the Chinese context with a case study on archaisms. A close observation of the archaisms in three of Zhang Yimou’s films results in a categorisation of four main types of them: nouns, idioms, adverbs and four-character phrases. By comparing the literal translations of the source dialogue and the English subtitles, this study analyses the strategies that the subtitlers have employed in the subtitle rendition. It is found that simplification, modernisation, explicitation and reformulation are often involved in subtitling the archaisms. This paper also includes a section on the visual representation of historicity. It is suggested that history-based vocabularies should be modernised and simplified, although a formal register of subtitling is essential in maintaining the narrative difference of a historical film from one that is set in modern times.
Keyword: Archaism; History; Subtitling; Visuality
URL: http://hdl.handle.net/10396/18389
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16
From paratext to polysemiotic network: a holistic approach to the study of subtitled films
Silvester, Hannah. - : Antwerp University, 2018
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17
A tradução de pronomes de gênero não-binário e neutro na Legendagem : uma análise dos seriados Carmilla e One day at a time
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18
Modern and ancient migrants’ narratives through ELF. An Experiential-Linguistic project in Responsible Tourism
In: Lingue e Linguaggi; Volume 24 (2017) - Special Issue; 87-124 (2018)
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19
The Italian Dubbing and Subtitling of Monster, Inc.- an Analysis
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20
An Investigation of Subtitling Translation of Conflict Talk from the Perspectives of Politeness Theory and Impoliteness Theory - A Case Study of the Film Flipped
Ran, Xie. - : The University of Queensland, School of Languages and Cultures, 2018
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